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FRANK THE MONSTER

From the Frank the Monster series , Vol. 1

An invigorating take on a well-worn paranormal trope.

While undergoing a mysterious transformation, a lonely, bookish boy sees his home with new eyes.

Frank Steen has just turned 9; he has few friends, so he celebrates with his family, his elderly neighbor, and her dog Woof, who uncharacteristically bites Frank when offered a piece of cake. A week later, Frank dreams that he’s a shaggy, scampering animal roaming the woods—only to awaken to muddy paw prints beside his bed. After reading up on the supernatural, he deems himself a “werewoof” (rather than ripping people apart like a werewolf, he just wants tummy rubs). But he realizes that the adults, who have heard rumors of bizarre creatures plaguing the town, see his werewoof form as terrifying, even dangerous. A violent encounter with humans on a local beach leads him to discover a clandestine monster meetup at his local library, a place where his monster-self might finally belong. Though many stories use lycanthropy to explore the trials of coming of age, this Swedish import holds its own in a crowded field. Strandberg’s well-crafted small-town setting and suspenseful pacing draw readers in, while his quietly matter-of-fact prose, speckled with satisfying detail, expresses Frank’s frustration, alienation, and even rage—feelings his young audience will recognize. In Falkenhem’s spooky-cute illustrations, Frank is dark-haired and pale-skinned, while the townspeople vary in skin tone.

An invigorating take on a well-worn paranormal trope. (Fantasy. 7-12)

Pub Date: April 7, 2026

ISBN: 9798348027285

Page Count: 112

Publisher: Gecko Press

Review Posted Online: Dec. 12, 2025

Kirkus Reviews Issue: Jan. 15, 2026

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LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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CHARLOTTE'S WEB

The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often...

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A successful juvenile by the beloved New Yorker writer portrays a farm episode with an imaginative twist that makes a poignant, humorous story of a pig, a spider and a little girl.

Young Fern Arable pleads for the life of runt piglet Wilbur and gets her father to sell him to a neighbor, Mr. Zuckerman. Daily, Fern visits the Zuckermans to sit and muse with Wilbur and with the clever pen spider Charlotte, who befriends him when he is lonely and downcast. At the news of Wilbur's forthcoming slaughter, campaigning Charlotte, to the astonishment of people for miles around, spins words in her web. "Some Pig" comes first. Then "Terrific"—then "Radiant". The last word, when Wilbur is about to win a show prize and Charlotte is about to die from building her egg sac, is "Humble". And as the wonderful Charlotte does die, the sadness is tempered by the promise of more spiders next spring.

The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often informative as amusing, and the whole tenor of appealing wit and pathos will make fine entertainment for reading aloud, too.

Pub Date: Oct. 15, 1952

ISBN: 978-0-06-026385-0

Page Count: 192

Publisher: Harper/HarperCollins

Review Posted Online: Sept. 14, 2011

Kirkus Reviews Issue: Oct. 1, 1952

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