A flawed but admirably big-thinking attempt to make readers rethink climate and climate fiction.
An epic novel about saving the planet that blends science fiction, mythology, and techno-thriller.
The third novel by Bell considers the Earth’s fragility from three perspectives. One thread, set in the late 1700s, follows Nathaniel and Chapman, two half brothers planting apple trees across Ohio. A second is set in the near-ish future as global warming has become irreversible except for a massive corporation’s plan to cool the Earth by clouding the lower atmosphere. The third is set in a far-future ice age as a cyborg heads to Black Mountain, near what was once Las Vegas, on a quest to “reset” the Earth. That’s all ambitious enough in itself, but Bell adds a lot of symbolic freight to underscore the interconnectedness of humans and nature. Chapman, for instance, is a faun, capable of shifting from human form to that of a hooved satyrlike creature; the cyborg, C-433 (named for how many times it has regenerated itself), is a glitchy mix of humanoid and tree. In the near-future narrative, the Earth-cooling effort is led by megacorporation Earthtrust, which has purchased the western half of the United States and filled the east with indentured-servitude farms built on the biomass it’s hoarded. That section of the novel is the weakest and most rote, featuring Earthtrust’s leader and her former lover–turned-revolutionary engaging in potted debates about climate ethics. Still, Bell is gifted with the kind of imagination that avoids predictable apocalyptic fiction; you root for C-433 to succeed as a person, even if it’s not quite a person. Bell cleverly combines the novel’s plot threads in the book's late stages, and despite the elliptical structure, his central message hits home: The world as we know it is past saving if we need a monopolist to save it.
A flawed but admirably big-thinking attempt to make readers rethink climate and climate fiction.Pub Date: July 13, 2021
ISBN: 978-0-06-304014-4
Page Count: 480
Publisher: Custom House/Morrow
Review Posted Online: May 18, 2021
Kirkus Reviews Issue: June 1, 2021
BOOK REVIEW
IMAX-scale bleeding-edge techno-horror from a writer with a freshly sharpened scalpel and time on his hands.
The world as we know it ended in Wanderers, Wendig’s 2019 bestseller. Now what?
A sequel to a pandemic novel written during an actual pandemic sounds pretty intense, and this one doesn’t disappoint, heightened by its author’s deft narrative skills, killer cliffhangers, and a not inconsiderable amount of bloodletting. To recap: A plague called White Mask decimated humanity, with a relative handful saved by a powerful AI called Black Swan that herded this hypnotized flock to Ouray, Colorado. Among the survivors are Benji Ray, a scientist formerly with the Centers for Disease Control and Prevention; Shana Stewart, who is pregnant and the reluctant custodian of the evolving AI (via nanobots, natch); Sheriff Marcy Reyes; and pastor Matthew Bird. In Middle America, President Ed Creel, a murdering, bigoted, bullying Trump clone, raises his own army of scumbags to fight what remains of the culture wars. When Black Swan kidnaps Shana’s child, she and Benji set off on another cross-country quest to find a way to save him. On their way to CDC headquarters, they pick up hilariously foulmouthed rock god Pete Corley, back from delivering Willie Nelson’s guitar to the Rock & Roll Hall of Fame. This novel is an overflowing font of treasures peppered with more than a few pointed barbs for any Christofacists or Nazis who might have wandered in by accident. Where Wanderers was about flight in the face of menace, this is an old-fashioned quest with a small band of noble heroes trying to save the world while a would-be tyrant gathers his forces. All those big beats, not least a cataclysmic showdown in Atlanta, are tempered by the book’s more intimate struggles, from Shana’s primal instinct to recover her boy to the grief Pete buries beneath levity to Matthew Bird’s near-constant grapple with guilt. It’s a lot to take in, but Pete’s ribald, bombastic humor as well as funny interstitials and epigraphs temper the horror within.
IMAX-scale bleeding-edge techno-horror from a writer with a freshly sharpened scalpel and time on his hands.Pub Date: Nov. 15, 2022
ISBN: 978-0-593-15877-7
Page Count: 816
Publisher: Del Rey
Review Posted Online: Aug. 30, 2022
Kirkus Reviews Issue: Sept. 15, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Elegiac and elliptical, this slim novel is a sobering read.
Six astronauts on a space station orbit the planet over the course of a single Earth day.
Two hundred and fifty miles above the Earth, a space station goes round and round. Over the course of 24 hours, the astronauts inside experience sunrise and sunset 16 times. Though they're supposed to keep their schedules in tune with a normal “daily” routine, they exist in a dream-like liminal space, weightless, out of time, captivated and astonished by the “ringing singing lightness” of the globe always in view. “What would it be to lose this?” is the question that spurs Harvey’s nimble swoops and dives into the minds of the six astronauts (as well as a few of the earthbound characters, past and present). There are gentle eddies of plot: The Japanese astronaut, Chie, has just received word that her elderly mother has died; six other astronauts are currently on their way to a moon landing; a “super-typhoon” barrels toward the Philippines; one of the two cosmonauts, Anton, has discovered a lump on his neck. But overall this book is a meditation, zealously lyrical, about the profundity and precarity of our imperiled planet. It’s surely difficult to write a book in which the main character is a giant rock in space—and the book can feel ponderous at times, especially in the middle—but Harvey’s deliberate slowed-down time and repetitions are entirely the point. Like the astronauts, we are forced to meditate on the notion that “not only are we on the sidelines of the universe but that it’s…a universe of sidelines, that there is no centre.” Is this a crisis or an opportunity? Harvey treats this question as both a narrative and an existential dilemma.
Elegiac and elliptical, this slim novel is a sobering read.Pub Date: Dec. 5, 2023
ISBN: 9780802161543
Page Count: 144
Publisher: Grove
Review Posted Online: Sept. 21, 2023
Kirkus Reviews Issue: Oct. 15, 2023
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