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DEGENERATE

A bold, if somewhat uneven, speculative thriller that’s as ambitious as it is unpredictable.

A ragtag group of friends discovers that not everything is as it seems in Casamassina’s supernatural mystery with SF elements.

Mason Kowalski is stuck in a dead-end job he hates, writing copy for his boss at a health-food company while taking care of his elderly grandmother in his free time. He regularly experiences stress, due to a generalized anxiety disorder, but he becomes alarmed when he also suffers vivid hallucinations and debilitating headaches. When Mason’s boss confronts him about missing work, he experiences an episode that he accidentally captures on video—only to discover later that the recording lacks audio, aside from his own voice, which sounds as if he’s possessed: “the gruesome voice moans into his ears. Through lungs clogged with tar. Sick with infection. Steeped in nightmares.” Terrified, Mason confides in his best friend and neighbor, Cassy, but his life quickly unravels when he learns that his boss has been murdered—and that he’s the prime suspect. Later, Mason has another attack, during which he unwittingly forces the police to destroy evidence; he escapes custody, but he knows that the police will soon be on his trail. With no idea of how to prove his innocence, Mason, along with Cassy, turns to Rudy Davidson, a former Navy SEAL and current San Mateo police detective. Determined to understand Mason’s condition, the trio run experiments to identify its source to little avail; then Mason encounters a mysterious man with a “shadow” of his own. They soon learn the man has been investigating a suspected supernatural serial killer.

Casamassina, a novelist who’s best known for his work in video game journalism as a cofounder of IGN, crafts a fictional world that feels both cinematic and intimate. However, his ambitious blend of various genres and themes sometimes blurs the novel’s focus. His background in storytelling shines throughout; the novel offers a vivid sense of place and mostly tight plotting, and the brisk prose grounds the surreal narrative in believable rhythms of friendship. Mason is an endearing and sympathetic character whose struggles with anxiety feel authentic. Readers may wish for greater nuance in the supporting cast, though, as their archetypical portrayals sometimes reduce them to ideas, rather than fully realized individuals. The dialogue is punctuated by coarse and often vulgar language, which reinforces the story’s gritty atmosphere. The story, however, takes a drastic turn more than halfway through the novel, shifting from an urban supernatural mystery to a futuristic SF thriller—a lively but disorienting change that may not appeal to all readers. The narrative threads unravel toward the novel’s end in favor of an operatic showdown that will leave readers with more questions than answers. Still, the novel does effectively gesture toward social and ecological themes, depicting a world that’s truly damaged by human excess. These motifs, while fleeting, give the book a timely resonance that will appeal to fans of genre fiction that looks at contemporary issues through a fantastical lens.

A bold, if somewhat uneven, speculative thriller that’s as ambitious as it is unpredictable.

Pub Date: Nov. 19, 2025

ISBN: N/A

Page Count: -

Publisher: N/A

Review Posted Online: Nov. 4, 2025

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THE FINAL TARGET

A particularly nasty villain heightens the stakes in this thriller about a woman learning how to be her own hero.

An author is targeted by a fan who just can’t let her go.

Arden Bowie has had plenty of tragedy in her life, but now she’s finally on top. After her parents died when she was a teenager, she moved from Brooklyn to Ohio to live with her aunt, uncle, and cousins. She soon became part of their loving family and grew up to become a writer and bookseller. When her debut novel is published, she meets Dustin Dubecki at her first event. He showers her with praise, asks for writing advice, and wants to take her out for coffee. Arden tells herself he’s just a little awkward, but then he keeps showing up at her local events—and, even stranger, she’s sure she sees him lurking at her event in New York City. When he bursts into her apartment one night and assaults her, Arden’s calm life is shattered. Dustin gets a five-year sentence at a psychiatric facility; Arden spends most of that time rebuilding her sense of stability. Eventually, she moves to Oregon to start a new life where Dustin can never find her. But even though she has a beautiful home, a thriving career, a doting family, new friends, and even a potential love interest in a former cop named Gideon Riley, Arden can’t escape Dustin’s rage when his sentence is finally up. Roberts toggles between Arden’s point of view and Dustin’s, giving the reader occasional glimpses into his extremely twisted mindset. Although Arden’s attempts to escape Dustin are engrossing, the story stalls in the middle when far too many pages are dedicated to Arden purchasing and decorating a house. But the excitement picks back up when Dustin, a truly odious villain, re-enters the story. It’s also satisfying to see Arden grow into someone who refuses to be a victim, even as she deals with horrifying circumstances.

A particularly nasty villain heightens the stakes in this thriller about a woman learning how to be her own hero.

Pub Date: May 26, 2026

ISBN: 9781250413581

Page Count: 432

Publisher: St. Martin's

Review Posted Online: April 20, 2026

Kirkus Reviews Issue: May 15, 2026

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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