An extremely satisfying work, finding new depth in old themes, and offering a fitting memorial to a talented, deeply humane...
A strong, spare, autumnal tale of loss and redemption, winner of the Governor General's Award, and the final work from Cohen (The Bookseller, 1996, etc.), a talented, hard-working Canadian novelist who died, at age 52, in 1999.
Set in the increasingly gentrified precincts of rural Canada, in a town where the long-established family farms are giving way to expensive housing developments, the story follows the struggles of a family displaced from the land and further damaged by tragedy. Carl McKelvey reluctantly returns to the town of West Gull after an absence of three years, torn between his desire to escape from the past and the need to deal with its considerable hold on him. He blames himself for the untimely death of his mother, Elizabeth, in an accident fueled by anger and alcohol. He also carries the weight of a failed marriage. He has come home in an attempt to make peace with his troublesome father, a lifelong farmer now confined against his will to a nursing home, and to reestablish a connection with his disaffected daughter, seven-year-old Lizzie. Because his mother, a schoolteacher, was a beloved figure in West Gull, whose benign presence affected many lives, Carl's return stirs up dormant memories and resentments, and precipitates a series of confrontations. Carl and his father blame each other for Elizabeth's death: Carl had been at the wheel, bringing his mother and his drunken father home from a party, when he had lost control of the car. Carl has had his own long struggle with alcoholism, and with a fierce temper also inherited from his father. His slow, painful battle to reconnect with life, to be a father for Lizzie, and to strike some truce with his own father are all delineated here in precise, resonant prose, imbued with a muted but powerful sense of longing. Cohen quietly presses the action toward a moving conclusion, all the more persuasive for its refusal to rely on easy victories.
An extremely satisfying work, finding new depth in old themes, and offering a fitting memorial to a talented, deeply humane writer.Pub Date: Aug. 1, 2000
ISBN: 0-312-26151-9
Page Count: 384
Publisher: Picador
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2000
BOOK REVIEW
BOOK REVIEW
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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