by Matt Cohen ‧ RELEASE DATE: Aug. 1, 1995
A strenuously inward-looking novel by Canadian writer Cohen (Nadine, 1987, etc.), stressing the sad fact that the torments of one generation are viewed as out of focusor, worse, simply tiresomeby the next. Set in bucolic farm country near Toronto, with flashbacks to a WW II concentration camp and a Russian mental hospital, the story centers on Melanie Winters: witty, still beautiful, manic in her unhappiness. She receives a visit in her latest sanitarium from son Benjamin, who sees his trips to her as ``exercises in the emotional arithmetic of love and hate, time past and time remaining, injustices suffered and revenge meted out.'' Certainly, Melanie brought a fierce judgment to her marriage to historian David Winters, a union marked by wild break-ups and serendipitous reconciliations. Part of her turbulence comes from her past: At nine, Melanie was interned in the Nazi camp at Drancy, way station to Auschwitz. There, she met Christopher Lewis, then 11. The two children, starving, had pressed their shaved heads together and escaped death, protected and liberated from terror by the ``magical'' Jakob Bronski, an older man ``thin as sticks.'' Now, Bronski, released from a Russian asylum (miraculously saved by his fame as poet and translator), is coming to Canada, accompanied by Christopher, who lives in Paris and writes pop historical novels. They stay at the Winters' family farm where, under thundering skies and gentle trees, Bronski contemplates his exile and grapples with burning memories: a baby daughter left, his passion for a dying woman who also possessed his rage that failed to change the world. Reunited, Melanie, Christopher, and Jakob are flung into a searing updraft of love, grief, and confusion. Before the strange, calm resolution, there will be desperate sex, a boozy prowl, and a rifle shot in the early dawn. Cohen wraps his characters in sometimes smothering sensibilities, but, still, they're strong and freestandingand their utterances (inward and otherwise) have potency, wit, and inherent energy.
Pub Date: Aug. 1, 1995
ISBN: 0-312-13064-3
Page Count: 208
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 1995
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by Matt Cohen
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by Kristin Hannah ‧ RELEASE DATE: May 1, 2003
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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by Harper Lee ; edited by Casey Cep
BOOK REVIEW
by Harper Lee
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