Inventive, intelligent sci-fi about humans grappling with an oceanic world.


From the Teloverse Series series , Vol. 1

In this debut novel, a Postbox transports future government auditor Sero Novak to a colony on a water planet.

With a duplicate body printed for him by a Postbox and his mind uploaded into his newly made brain, Novak is mentally connected with the rest of the Race—humanity—by a NeuroVision memory linkup. His vital mission is to learn what has happened to the colonists on the water planet NineDee and how their efforts to tame the primitive ocean-bound world have progressed. As Novak explores NineDee and gets to know the people who live there, he encounters the dangers of the indigenous life forms and the environment—and uncovers weirder and weirder secrets about the colonists themselves, culminating in a terrible revelation that forces him to take desperate action. With humans having survived an economic apocalypse to rebuild a better society, but one still with deep-rooted dissension and selfishness, will they carry their petty desires and desperate wishes across the galaxy? And will Novak be able to act in the best interests of all of humanity in the face of his own slipping ideals as well as the destructive passions of the people sent to build their outposts among the distant stars? Tyson makes ambitious choices and trusts the reader to be smart enough to follow his narrative. While the characters are human and three-dimensional and the dialogue clean but slightly didactic, the pace is measured and the setting descriptions are complex and challenging. Little effort is made to clarify terms and ideas as they are first presented, and readers must infer and learn as they progress. Luckily, the demands made on readers are well-rewarded. But given the dense approach to worldbuilding in the novel, it is difficult to know if the author’s lapses into contemporary diction and behavior are virtues or flaws (“She says she feels the same about me. You’ll see, Minnus. We just…pop!”). Other contemporary pop-culture references (“frak,” “Gigantor,” etc.) are jarring and have less potential defense.

Inventive, intelligent sci-fi about humans grappling with an oceanic world.

Pub Date: Oct. 4, 2016

ISBN: 978-1-5351-6397-2

Page Count: 524

Publisher: CreateSpace

Review Posted Online: Oct. 14, 2016

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While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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