A well-written look at Fleming’s life, though the book is even better as an indictment of the anachronistic colonialism of...
Parker (The Sugar Barons: Family, Corruption, Empire, and War in the West Indies, 2011, etc.) considers Ian Fleming’s escape to Jamaica, where he created James Bond and did his best to avoid the high-society life that followed him there.
Fleming was not fond of many non-Brits, but he especially disliked Americans. About the only American Bond character who isn’t a villain is Felix Leiter, a detective Bond cooperates with and often saves. Fleming discovered Jamaica’s wonders in 1943 and quickly bought property with a private beach where he could write, using Jamaica in three of his novels. The house he built, Goldeneye, was spare and featured minimal modern conveniences. However, nature was at her best, and Fleming was happiest during the two months each year he spent in the Caribbean. It was Fleming's paradise; he loved the tropical blooms and the fascinating sea life. At the time, Jamaica was still ruled by a governor, and the racist attitudes of visitors reflected the attitude of empire. Eventually, Noël Coward became a neighbor and lifelong friend as the Jamaican tourist boom took off. Coward brought the jet-set crowd to discover the joys of island life, and anyone who was anyone showed up. Fleming, however, was asocial, heartily disliked the procession of guests and hated his wife’s parties. He isolated himself to write, forbidding guests to even walk by his window. The author parallels Fleming’s life with postwar events that planted the seed for the Bond character. He summarizes each of the Bond books as they reflect Cold War history—e.g., the Suez Crisis, the independence movements and increasing economic turmoil.
A well-written look at Fleming’s life, though the book is even better as an indictment of the anachronistic colonialism of the 1950s and the end of the British Empire.Pub Date: March 11, 2015
ISBN: 978-1-60598-686-9
Page Count: 400
Publisher: Pegasus
Review Posted Online: Nov. 28, 2014
Kirkus Reviews Issue: Dec. 15, 2014
PROFILES
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
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