Casey (Genealogy, 2006, etc.) fictionalizes a story based on the real-life figure of Albert Dadas, a man from the late 19th century whose strange pathology dictated to him that he walk continually, though he temporarily ends up in an asylum—and eventually walks away from that as well.
Although Dadas is at the center of the narrative, we’re also introduced to the Doctor (unnamed but always capitalized) who works at the asylum and who develops his own obsession with Dadas. Along the way, we meet some of the other patients being treated, including the veteran, suffering from a type of PTSD, and Elizabeth, who believes that even the most mundane phenomenon is a “divine miracle.” But the most enigmatic figure of all is Dadas himself, who’s led to the asylum by a lamplighter. Dadas has been all over Europe, though his memories of these travels are both fleeting and fragmented. The Doctor tries to help him recover his memories with various strategies, the main one being empathetic listening. The key questions the Doctor wishes to ask are “Why do you walk? Why can’t you stop?” but the answers to these questions are only hinted at rather than directly confronted. While Dadas vaguely recalls having deserted the army with his friend Baptiste and also alludes to a difficult and problematic relationship with his father, his story ultimately remains cryptic and inexplicable.
Lyrical in its style and fascinating in its psychology, Casey’s narrative provokes a host of intriguing questions beyond those the Doctor raises, and Casey is wise enough as an author not to provide easy answers.Pub Date: March 4, 2014
ISBN: 978-1-62040-311-2
Page Count: 256
Publisher: Bloomsbury
Review Posted Online: Dec. 8, 2013
Kirkus Reviews Issue: Dec. 15, 2013
Categories: HISTORICAL FICTION
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PROFILES
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...
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An unlikely love story set amid the horrors of a Nazi death camp.
Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.Pub Date: Sept. 4, 2018
ISBN: 978-0-06-279715-5
Page Count: 272
Publisher: Harper/HarperCollins
Review Posted Online: July 17, 2018
Kirkus Reviews Issue: Aug. 1, 2018
Categories: RELIGIOUS FICTION | HISTORICAL FICTION
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BOOK REVIEW
An almost-but-not-quite-great slavery novel.
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The celebrated author of Between the World and Me (2015) and We Were Eight Years in Power (2017) merges magic, adventure, and antebellum intrigue in his first novel.
In pre–Civil War Virginia, people who are white, whatever their degree of refinement, are considered “the Quality” while those who are black, whatever their degree of dignity, are regarded as “the Tasked.” Whether such euphemisms for slavery actually existed in the 19th century, they are evocatively deployed in this account of the Underground Railroad and one of its conductors: Hiram Walker, one of the Tasked who’s barely out of his teens when he’s recruited to help guide escapees from bondage in the South to freedom in the North. “Conduction” has more than one meaning for Hiram. It's also the name for a mysterious force that transports certain gifted individuals from one place to another by way of a blue light that lifts and carries them along or across bodies of water. Hiram knows he has this gift after it saves him from drowning in a carriage mishap that kills his master’s oafish son (who’s Hiram’s biological brother). Whatever the source of this power, it galvanizes Hiram to leave behind not only his chains, but also the two Tasked people he loves most: Thena, a truculent older woman who practically raised him as a surrogate mother, and Sophia, a vivacious young friend from childhood whose attempt to accompany Hiram on his escape is thwarted practically at the start when they’re caught and jailed by slave catchers. Hiram directly confronts the most pernicious abuses of slavery before he is once again conducted away from danger and into sanctuary with the Underground, whose members convey him to the freer, if funkier environs of Philadelphia, where he continues to test his power and prepare to return to Virginia to emancipate the women he left behind—and to confront the mysteries of his past. Coates’ imaginative spin on the Underground Railroad’s history is as audacious as Colson Whitehead’s, if less intensely realized. Coates’ narrative flourishes and magic-powered protagonist are reminiscent of his work on Marvel’s Black Panther superhero comic book, but even his most melodramatic effects are deepened by historical facts and contemporary urgency.
An almost-but-not-quite-great slavery novel.Pub Date: Sept. 24, 2019
ISBN: 978-0-399-59059-7
Page Count: 432
Publisher: One World/Random House
Review Posted Online: July 1, 2019
Kirkus Reviews Issue: July 15, 2019
Categories: GENERAL SCIENCE FICTION & FANTASY | HISTORICAL FICTION | FANTASY | HISTORICAL FANTASY
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