The Age of the Robots is here, according to neural-networks consultant Caudill, who paints the current state of robotic research in glowing terms—and then warns that our ersatz spawn may prove to be an albatross around our neck. Two technologies are at work in the creation of an android: artificial intelligence, ``the attempt to make computers behave intelligently''; and neural networks, ``information-processing systems...that mimic our current understanding of the brain.'' Both are in fine mettle, as Caudill shows in what amounts to a book- length recipe for robots. Androids must be able to see, move, talk, remember, plan, solve problems, and learn from experience. Even now, the technology of vision is nearly licked. As for mobility, the first robots will tootle around on wheels, but two-legged locomotion is just a two-step behind. A ``human-like robotic finger'' exists, and today's robots can solve problems that no self-respecting human would entertain (``Delilah is a cat...all cats are furry,'' etc.). Soon robots will speak as fluently as Star War's C-3PO. And so on. Having delivered the high-tech goods, Caudill then performs some astounding leaps of logic and erects, on gossamer philosophical underpinnings, a claim that robots will possess what we know as feeling, mind, even life (according to her definitions, computer viruses are alive). This leads to such weighty questions as whether android hookers will be legalized (``might it not be safer from a hygienic perspective'') and, we kid you not, ``Could an android become...a Jewish rabbi?'' An intriguing, albeit clunkily penned (``NETtalk was an attempt to demonstrate neural network speech generation system capabilities''), glimpse into the current state of robotic research and of computer-jock fantasy. (Four halftones and 29 line drawings- -not seen.)
Pub Date: Sept. 1, 1992
ISBN: 0-19-507338-X
Page Count: 228
Publisher: Oxford Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1992
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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