So much fun, and educational too.
Corporate sexism and the mortgage crisis are a laugh a minute...in this delightful comic novel, at least.
Belle Cassidy is a managing director at an investment banking firm called Feagin Dixon— she makes $700,000 a year plus an end-of-year bonus for 2007 that comes in just under $3 million. Sure, the money is great, but Belle is also a member of the Glass Ceiling Club—a group of women who have organized secretly to talk about the raging sexism of their work environment. This entails everything from ass-grabbing to frat-style office parties to the exclusion of women from top-level decision-making, including the risk management committee—a real-life fact which, according to former investment banker Sherry (Walls Within Walls, 2010), is at least partly responsible for the subprime mortgage disaster of 2008. In chapters with titles like "Herd on the Street," "Gentlemen Prefer Bonds," and "Dais of the Dicks," she evokes this luxurious yet disgusting world in juicy detail, from a mandatory softball game at a 15-acre estate in "Hedgistan, the area between New York City and Greenwich, Connecticut, where most hedge fund managers live," to the weekly chapel session at "a preschool so elite it had no name on the door, no website, no listing in the phone book," where "the billionaires sit along the front sides of the room" avoiding the "annoying millionaire parents who are pining for a playdate." To get her kids into this school, Belle has had to call in a favor from her ex-fiance, Henry Thomas Wilkins III, who soon turns up in her working life as a key player at one of her major clients. Good thing her husband, Bruce, a hunky, big-spending, nonworking dad, isn't the jealous type. While she's making you laugh, Sherry does an excellent job of explaining what exactly happened in the financial crisis and gives a rare picture of the wide range of ways women in the workplace deal with chauvinism, some as heroes, some as victims, and some as opportunists.
So much fun, and educational too.Pub Date: Feb. 2, 2016
ISBN: 978-1-5011-1062-7
Page Count: 352
Publisher: Simon & Schuster
Review Posted Online: Oct. 27, 2015
Kirkus Reviews Issue: Nov. 15, 2015
Well-written and insightful but so heartbreaking that it raises the question of what a reader is looking for in fiction.
A 12-year-old boy is the sole survivor of a plane crash—a study in before and after.
Edward Adler is moving to California with his adored older brother, Jordan, and their parents: Mom is a scriptwriter for television, Dad is a mathematician who is home schooling his sons. They will get no further than Colorado, where the plane goes down. Napolitano’s (A Good Hard Look, 2011, etc.) novel twins the narrative of the flight from takeoff to impact with the story of Edward’s life over the next six years. Taken in by his mother’s sister and her husband, a childless couple in New Jersey, Edward’s misery is constant and almost impermeable. Unable to bear sleeping in the never-used nursery his aunt and uncle have hastily appointed to serve as his bedroom, he ends up bunking next door, where there's a kid his age, a girl named Shay. This friendship becomes the single strand connecting him to the world of the living. Meanwhile, in alternating chapters, we meet all the doomed airplane passengers, explore their backstories, and learn about their hopes and plans, every single one of which is minutes from obliteration. For some readers, Napolitano’s premise will be too dark to bear, underlining our terrible vulnerability to random events and our inability to protect ourselves or our children from the worst-case scenario while also imagining in exhaustive detail the bleak experience of survival. The people around Edward have no idea how to deal with him; his aunt and uncle try their best to protect him from the horrors of his instant celebrity as Miracle Boy. As one might expect, there is a ray of light for Edward at the end of the tunnel, and for hardier readers this will make Napolitano’s novel a story of hope.
Well-written and insightful but so heartbreaking that it raises the question of what a reader is looking for in fiction.Pub Date: Jan. 14, 2020
ISBN: 978-1-9848-5478-0
Page Count: 352
Publisher: Dial Books
Review Posted Online: Oct. 27, 2019
Kirkus Reviews Issue: Nov. 15, 2019
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
The author gamely combines characters and caricatures, real pain and farce.
Can wearing the family dog in a baby sling save a troubled marriage?
“Wearing the dog is ridiculous. An act of desperation. I know this….But there is the loneliness. How I startle awake in the dark, panicked, full of dread, floating on the night sea on a tiny raft surrounded by all that vast blackness.” Once-successful author Judy Vogel is beset by problems. Her writing’s dried up, her 13-year-old son is pulling away from her, her best friend is dying of cancer, her marriage is falling apart due to her husband’s extreme anxiety issues, and hers don’t seem much less serious. As the book opens, Judy and Gary are technically separated but still living in the same house. He addresses his condition with a low-stress job and weed; she finds her solace in a never-used BabyBjörn that turns up in the basement. In goes the family sheltie!—and suddenly, somehow it all doesn’t seem so bad. Zigman (Piece of Work, 2006, etc.) is adept at Where’d You Go Bernadette–style snarkery about her son’s progressive Montessori school, her own job writing posts for a health and happiness website—“Are dogs the ultimate antidepressant?”; “If just seeing the word cannabis makes you anxious, keep reading”—and a New Age creativity retreat the couple attend. But the central premise of the novel is a bit unsettling. When Judy first puts the dog in the sling, she’s aware that it wants to get out. Soon she convinces herself it’s nice in there. From that point on she pays so little attention to the actual dog that it could be a stuffed animal. She almost doesn’t seem to care about it as a pet or as a sentient being with needs. When she’s attacked by a group of people at the dog park who charge her with animal abuse, you wonder whose side you're on.
The author gamely combines characters and caricatures, real pain and farce.Pub Date: March 3, 2020
ISBN: 978-0-06-290907-7
Page Count: 288
Publisher: Ecco/HarperCollins
Review Posted Online: Nov. 24, 2019
Kirkus Reviews Issue: Dec. 15, 2019
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