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SNEEZE, BIG BEAR, SNEEZE!

Still, though the bounce of Wright's verse is welcome, the story is all too slender; for truly satisfying ursine...

Big Bear gets in all kinds of trouble when he takes credit for the work of the wind.

The leaves are burnished gold and orange, birds fill the sky and Big Bear lets out an enormous sneeze. Coincidentally, this occurs just when the wind whirls the leaves right off the trees. Even though the wind tries to explain, Bear thinks that he's responsible and tries to nail the leaves back on. Further up the hill is an apple tree, where the same thing happens: "Just as Big Bear let out a sneeze, / branches shook in a very strong breeze." A flock of geese is resting on the lake, and another gust (simultaneous with a Bear sneeze) sends them flapping away. When Bear claims credit for this as well, the wind loses his temper and pairs his loudest declaration with his strongest gale force: "I do it all! I'm the autumn breeze!" Bear listens and, after scratching his head, says, "You could have told me before," and retires for the winter. Hillebrand's mixed-media illustrations use a bright and appealing palette; his evocation of the wind is particularly charming.

Still, though the bounce of Wright's verse is welcome, the story is all too slender; for truly satisfying ursine braggadocio, try How Chipmunk Got His Stripes, by Joseph and James Bruchac, illustrated by José Aruego and Ariane Dewey (2001). (Picture book. 3-6)

Pub Date: Sept. 1, 2011

ISBN: 978-0-7614-5959-0

Page Count: 32

Publisher: Marshall Cavendish

Review Posted Online: Aug. 2, 2011

Kirkus Reviews Issue: Aug. 15, 2011

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GUESS HOW MUCH I LOVE YOU

POP-UP

The book is available in just about every format--but this is the perfect one.

It's hard to believe that a pop-up wasn't the creators' original intention, so seamlessly do moveable parts dovetail into this modern classic's storyline.

In contrast to the tale's 1998 pop -up version, the figures here move on every page, and with an unusually graceful naturalism to boot. From pulling down Big Nutbrown Hare's ears on the opening spread to make sure he's listening to drowsily turning his head to accept a final good-night kiss in a multi-leveled pull-down tableau at the close, all of Little Nutbrown Hare's hops, stretches and small gestures serve the poetically spare text—as do Big Nutbrown's wider, higher responses to his charge's challenges. As readers turn a flap to read Big Nutbrown's "But I love you this much," his arms extend to demonstrate. The emotional connection between the two hares is clearer than ever in Jeram's peaceful, restrained outdoor scenes, which are slightly larger than those in the trade edition, and the closing scene is made even more intimate by hiding the closing line ("I love you right up to the moon—and back") until an inconspicuous flap is opened up.  

The book is available in just about every format--but this is the perfect one. (Pop-up picture book. 3-6)

Pub Date: Sept. 13, 2011

ISBN: 978-0-7636-5378-1

Page Count: 16

Publisher: Candlewick

Review Posted Online: Sept. 21, 2020

Kirkus Reviews Issue: Nov. 1, 2011

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IN A GARDEN

Like its subject: full of bustling life yet peaceful.

Life buzzes in a community garden.

Surrounded by apartment buildings, this city garden gets plenty of human attention, but the book’s stars are the plants and insects. The opening spread shows a black child in a striped shirt sitting in a top-story window; the nearby trees and garden below reveal the beginnings of greenery that signal springtime. From that high-up view, the garden looks quiet—but it’s not. “Sleepy slugs / and garden snails / leave behind their silver trails. / Frantic teams of busy ants / scramble up the stems of plants”; and “In the earth / a single seed / sits beside a millipede. / Worms and termites / dig and toil / moving through the garden soil.” Sicuro zooms in too, showing a robin taller than a half-page; later, close-ups foreground flowers, leaves, and bugs while people (children and adults, a multiracial group) are crucial but secondary, sometimes visible only as feet. Watercolor illustrations with ink and charcoal highlights create a soft, warm, horticulturally damp environment. Scale and perspective are more stylized than literal. McCanna’s superb scansion never misses, incorporating lists of insects and plants (“Lacewings, gnats, / mosquitos, spiders, / dragonflies, and water striders / live among the cattail reeds, / lily pads, and waterweeds”) with description (“Sunlight warms the morning air. / Dewdrops shimmer / here and there”). Readers see more than gardeners do, such as rabbits stealing carrots and lettuce from garden boxes.

Like its subject: full of bustling life yet peaceful. (author’s note) (Picture book. 3-6)

Pub Date: Feb. 18, 2020

ISBN: 978-1-5344-1797-7

Page Count: 48

Publisher: Paula Wiseman/Simon & Schuster

Review Posted Online: Nov. 9, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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