Snappy dialogue and an endearing cast of characters bring to life this richly-drawn portrait of multicultural LA.
A spirited teenager learns about the meaning of love, friendship, and family.
When spunky Clara Shin, the daughter of two Brazilian immigrants of Korean descent, is forced to make up for a school prank by taking a summer job working in her father’s food truck alongside her nemesis, Rose Carver, a perfectionistic, overachieving classmate who looks like a “long-lost Obama daughter,” she thinks it’s the end of her summer. Clara’s insouciant and rebellious demeanor hides profound feelings of rejection over her glamorous mother’s decision to leave the family when Clara was 4 to jaunt around the world as a social media influencer. Clara is most comfortable hanging out with a crowd of kids who are similarly rebellious and disengaged, but a budding romance with earnest Chinese heartthrob Hamlet Wong, who works in a neighboring food truck, and a developing friendship with Rose, who has never had a BFF, teach Clara that there’s an upside to taking risks and letting people get close. When Clara feels hurt by her father’s negative reaction to a well-intentioned surprise, she takes off on an adventure that ultimately opens her eyes to all the good things that await her back home. Clara’s personal growth during this summer of change is realistic and convincing.
Snappy dialogue and an endearing cast of characters bring to life this richly-drawn portrait of multicultural LA. (Fiction. 12-18)Pub Date: May 8, 2018
ISBN: 978-0-374-30408-9
Page Count: 336
Publisher: Farrar, Straus and Giroux
Review Posted Online: Feb. 19, 2018
Kirkus Reviews Issue: March 1, 2018
PERSPECTIVES
Exactly what the title promises.
A grieving teen’s devotion to romance films might ruin her chances at actual romance.
Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.
Exactly what the title promises. (Romance. 12-18)Pub Date: May 4, 2021
ISBN: 978-1-5344-6762-0
Page Count: 368
Publisher: Simon & Schuster
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK TO SCREEN
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
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