Lever is the French editor of the Marquis de Sade's correspondence, and thus in a particularly good position to check and curb much of the mythical fervor that surrounds the writer everyone thinks he knows all about and almost no one does. By modern French surrealists and leftists, Sade has been championed as an archangel of revolution, of sexual revolt; by the general public, as evil and cruelty incarnate. The facts support both and neither, though Lever works upon the framework constructed most seminally by Gilbert Lely in the Fifties. Sade's noble Provencal family related to Petrarch; his feverish libertinage and real crimes of perversity; his first imprisonment (during which he wrote the first of his novels, The 120 Days of Sodom); his second imprisonment, during Robespierre's Terror; his authorial ambitions (not especially pure or demonic sometimes: Sade acknowledged the popular taste for ``spicy books'' when he was writing Justine); the two remarkable women who put up with him as wife, then companion; his rearrest and reimprisonment during the Napoleonic reaction to Jacobin excesses; the end of his days spent in the mental ``hospital'' at Charenton, where Sade ran the loony bin's semi- psychodrama theatricals. What Lever brings across, in a vigorous, unpedantic, well-translated style, is how much (and also how merely) a writer Sade would become—with the largeness and smallness that goes with it—after his aristocratic sexual frenzies burned themselves out early in life. Like many writers, Sade thought most about money. But nobleman that he was, he knew nothing about people; and Lever is right to mention (though the book is almost devoid of literary analysis) that Sade's greatest distinction as an imaginative writer was to create a self-contained repetitious rhythm—of impossible sexual acts that have no relation to what real people would do (or want to do)—the likes of which have never been repeated in prose. Demythologizing, level, and consistently fascinating. A must.
Pub Date: Aug. 1, 1993
ISBN: 0-374-20298-2
Page Count: 700
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1993
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
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