The Lindbergh kidnapping, with its pendant of unsolved mysteries and its merry-go-round of motley extortionists, is tailor-made for hard-boiled historical specialist Nate Heller (True Detective, Neon Mirage), whose hit-or-miss author pulls out all the stops in this lavish fictionalization. Sent east to help Slim Lindbergh after a false alarm in Chicago gives him the reputation of a kidnapping specialist (he really does recover the child, but it isn't Lindbergh's), Nate chases leads too wild for the uniformed boys—one trip to super- psychic Edgar Cayce in Virginia Beach, another to suspect spiritualist Sister Sarah Sivella and her fly-by-night husband Martin Marinelli, all of whose leads lead nowhere—and cultivates his suspicions of the Lindberghs' self-appointed go-between, Professor John F. ``Jafsie'' Condon, of Lindbergh servants Oliver and Elsie Whately and Violet Sharpe, of speak-easy king Mickey Rosner—in fact, of almost everybody involved that he's not actually sleeping with (an unlikely one-nighter with sister Sarah, and a much longer stint with Washington socialite Evalyn Walsh McLean, who's willing to pay mobster Gaston Means a hundred grand to recover the baby). Nate's cynicism, of course, is all too justified: neither of the ransom payoffs pays off; a dead baby is identified as the kidnap victim; and Nate retreats to Chicago after Bruno Richard Hauptmann's arrest. And when New Jersey Governor Harold Hoffman invites him back four years later to dig up last-minute evidence for Hauptmann's reprieve, Nate quickly uncovers evidence that Hauptmann's been railroaded and that serious mob kingpins (Capone, Nitti) have been in on the case from the beginning—evidence that, like his identification of Lindbergh Junior as living in Michigan, he'll never be able to use in court. Ashes, ashes. Though Nate sometimes writes as if he's been shanghaied by history (``Her smile was a tragic fucking thing''), this is a meaty, satisfying rehash of the crime of the century—required reading for people who still wonder.
Pub Date: May 15, 1991
ISBN: 0-553-07133-5
Page Count: 528
Publisher: Bantam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1991
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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