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GRANT

Trist’s detachment is both blessing and curse here: he’s sympathetic, but he also simply passes through the tumult of his...

Byrd (Jackson, 1997; Jefferson, 1993; etc.) continues his vigorously eclectic presidential series with an intricate view of politics, passion, and scandal after the Ulysses S. Grant presidency, though this story falls short of the high mark set by its predecessor.

One-armed but well-connected Nicholas Trist, wounded at Cold Harbor in the Civil War, has returned from Paris as a journalist in 1880 to cover Grant’s effort to be reelected for a third term. But a chance encounter with the breasts of Elizabeth Cameron, enchanting, flirtatious young wife of the brutish senator who’s Grant’s campaign manager, has given him something else to think about. Through a period of becoming a Washington insider, through visits with the likes of Henry Adams—the preeminent Grant-hater, intellectual, and cold fish—and through a rowdy Republican convention in Chicago, in which Grant has only to appear in order to be nominated (but doesn’t, and so isn’t), Trist seeks a tryst with Lizzie, but she flees from the heat of his desire. Several years later, he returns from abroad again, this time as a successful travel writer, to work on a book about the battlefields of the Civil War. He’s drawn once again into the salon of Adams and his self-effacing, long-suffering wife Clover, and, overtaken by a thunderstorm one day while giving Lizzie a battlefield tour, finally begins the affair he’s sought for so long. Meanwhile, his book goes nowhere, so, forced to become a reporter again, Trist covers Grant’s last days as America’s hero battles with disgrace and throat cancer to finish his memoirs. Once the small, quiet man with the ever-present cigar is gone, Trist’s own tenuous connections to an ever-more electric America seem to slip from his one-handed grasp.

Trist’s detachment is both blessing and curse here: he’s sympathetic, but he also simply passes through the tumult of his years in America—and through what is otherwise an impressively complex work of historical fiction.

Pub Date: Aug. 8, 2000

ISBN: 0-553-09633-8

Page Count: 368

Publisher: Bantam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2000

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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ALL THE LIGHT WE CANNOT SEE

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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