Paetro's third (following Babydreams, 1989, and Manshare, 1986) is a larkish tidbit that goes nicely with pi§a coladas and beach umbrellas—a trendy fantasy for the sorts of girls who invariably give their hearts to altar-shy guys. Harriet Braintree is a New York City literary agent with a cute apartment in the Village, lots of fun friends, and Dean—a handsome Wall Street investment broker who's been the light of her life for two years. Clearly, she's got marriage on her mind, but he's a tangle of modern male confusions, including the requisite Oedipal complex, dyslexia, career inadequacies (since handling his rich dad's portfolio is the only reason he's kept on at his brokerage house), and some big doubts about Harrie. Things only get worse between them when Harrie's dear old neighbor, Mr. Tuckman, dies, leaving her a pink elephant Long Island mansion called Blackfern and a couple million to restore it with. The pressure of handling her dough drives Dean over the edge, sending him into svelte Laura Taft's bed, though Harrie retaliates by shacking up with her architect, Roger Mayhew. Alas, Roger turns out to be just as incapable of commitment as Dean, but in the time it takes Harrie to find it out, Dean turns over a new leaf. And before you can say ``I do,'' Dean's banging on Harrie's door with 200 roses and a connubial gleam in his eyes. It's all utterly predictable, but neatly poised between flippancy and sentiment: a smooth, wish-fulfilling ride for thirtysomething-ish females.
Pub Date: Aug. 15, 1991
ISBN: 0-671-69028-0
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: June 15, 1991
Categories: GENERAL FICTION
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The years pass by at a fast and steamy clip in Blume’s latest adult novel (Wifey, not reviewed; Smart Women, 1984) as two friends find loyalties and affections tested as they grow into young women. In sixth grade, when Victoria Weaver is asked by new girl Caitlin Somers to spend the summer with her on Martha’s Vineyard, her life changes forever. Victoria, or more commonly Vix, lives in a small house; her brother has muscular dystrophy; her mother is unhappy, and money is scarce. Caitlin, on the other hand, lives part of the year with her wealthy mother Phoebe, who’s just moved to Albuquerque, and summers with her father Lamb, equally affluent, on the Vineyard. The story of how this casual invitation turns the two girls into what they call "Summer sisters" is prefaced with a prologue in which Vix is asked by Caitlin to be her matron of honor. The years in between are related in brief segments by numerous characters, but mostly by Vix. Caitlin, determined never to be ordinary, is always testing the limits, and in adolescence falls hard for Von, an older construction worker, while Vix falls for his friend Bru. Blume knows the way kids and teens speak, but her two female leads are less credible as they reach adulthood. After high school, Caitlin travels the world and can’t understand why Vix, by now at Harvard on a scholarship and determined to have a better life than her mother has had, won’t drop out and join her. Though the wedding briefly revives Vix’s old feelings for Bru, whom Caitlin is marrying, Vix is soon in love with Gus, another old summer friend, and a more compatible match. But Caitlin, whose own demons have been hinted at, will not be so lucky. The dark and light sides of friendship breathlessly explored in a novel best saved for summer beachside reading.
Pub Date: May 8, 1998
ISBN: 0-385-32405-7
Page Count: 336
Publisher: Delacorte
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: March 15, 1998
Categories: GENERAL FICTION
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The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 22, 2014
Kirkus Reviews Issue: Jan. 1, 2015
Categories: GENERAL FICTION
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