Some readers won’t make it through the most painful jokes, but those who do will see something marvelous building itself in...
Who says penguins are cute?
The title tells readers everything they need to know. Or, as Ace puts it, “Hundreds of evil penguins!” Ace is a beaver who likes to surf. His brother Bub likes to nap. Together, they have the skills to save their island from a plan involving a gigantic refrigerator. (Eaton has clearly taken great delight in drawing a fridge the size of Graceland.) Children will know if this is their kind of humor when they hear that the story is about an evil refrigerator that threatens the planet. The pictures look, charmingly, like doodles readers might have sketched during a boring class. Some of the jokes are dumb. (BEAVER: “Something smells fishy….” SEABIRDS: “That’s probably us.”) Some are transcendentally dumb. A pun about blueprints is set up with the precision of a rocket launch or a Rube Goldberg device. Not every punch line works, but halfway through, everything clicks into place, and the plot achieves the sort of energy that would have made Goldberg proud. The second book in the series, The Fishy Business (releasing simultaneously), is funny from the first panel. The laws of probability suggest that volume three will be a real achievement.
Some readers won’t make it through the most painful jokes, but those who do will see something marvelous building itself in front of their eyes. (Graphic novel. 6-9)Pub Date: Jan. 10, 2012
ISBN: 978-0-375-86447-6
Page Count: 96
Publisher: Knopf
Review Posted Online: Oct. 11, 2011
Kirkus Reviews Issue: Nov. 1, 2011
What a wag.
What do you get from sewing the head of a smart dog onto the body of a tough police officer? A new superhero from the incorrigible creator of Captain Underpants.
Finding a stack of old Dog Mancomics that got them in trouble back in first grade, George and Harold decide to craft a set of new(ish) adventures with (more or less) improved art and spelling. These begin with an origin tale (“A Hero Is Unleashed”), go on to a fiendish attempt to replace the chief of police with a “Robo Chief” and then a temporarily successful scheme to make everyone stupid by erasing all the words from every book (“Book ’Em, Dog Man”), and finish off with a sort of attempted alien invasion evocatively titled “Weenie Wars: The Franks Awaken.” In each, Dog Man squares off against baddies (including superinventor/archnemesis Petey the cat) and saves the day with a clever notion. With occasional pauses for Flip-O-Rama featurettes, the tales are all framed in brightly colored sequential panels with hand-lettered dialogue (“How do you feel, old friend?” “Ruff!”) and narrative. The figures are studiously diverse, with police officers of both genders on view and George, the chief, and several other members of the supporting cast colored in various shades of brown. Pilkey closes as customary with drawing exercises, plus a promise that the canine crusader will be further unleashed in a sequel.
What a wag. (Graphic fantasy. 7-9)Pub Date: Aug. 30, 2016
ISBN: 978-0-545-58160-8
Page Count: 240
Publisher: Graphix/Scholastic
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
