If the story is disappointing, it’s only because the earlier books in the series set such a high standard: All of the jokes...
The Flying Beaver Brothers comics are starting to resemble Mad Libs.
The plot summary for one of the Beaver Brothers books might look like this: Ace and Bub have to keep Beaver Island safe from a group of (plural name of an animal) with a giant (household appliance) that goes (sound effect). In this newest volume, for example, baboons are using an enormous hair dryer to melt all the snow on the island. They want to build a water park. The hair dryer goes “HAROO!” when it’s switched on. This book, like the previous four, is almost as funny as a great Mad Lib. But for returning readers, this may seem like a familiar, fill-in-the-blanks sort of plot. Maybe the next book will stray a bit from the animals-with-appliances formula. The artwork and sound effects are hilarious, as usual, but the simple line drawings don’t convey nuance very well, and the climactic action sequence is a little difficult to follow. It’s like a Michael Bay movie translated into emoji characters.
If the story is disappointing, it’s only because the earlier books in the series set such a high standard: All of the jokes work, but die-hard fans may feel a little exhausted, as though they’d just finished their 100th Mad Lib in a row. (Graphic novel. 6-9)Pub Date: Aug. 5, 2014
ISBN: 978-0-385-75466-8
Page Count: 96
Publisher: Knopf
Review Posted Online: May 18, 2014
Kirkus Reviews Issue: June 1, 2014
What a wag.
What do you get from sewing the head of a smart dog onto the body of a tough police officer? A new superhero from the incorrigible creator of Captain Underpants.
Finding a stack of old Dog Mancomics that got them in trouble back in first grade, George and Harold decide to craft a set of new(ish) adventures with (more or less) improved art and spelling. These begin with an origin tale (“A Hero Is Unleashed”), go on to a fiendish attempt to replace the chief of police with a “Robo Chief” and then a temporarily successful scheme to make everyone stupid by erasing all the words from every book (“Book ’Em, Dog Man”), and finish off with a sort of attempted alien invasion evocatively titled “Weenie Wars: The Franks Awaken.” In each, Dog Man squares off against baddies (including superinventor/archnemesis Petey the cat) and saves the day with a clever notion. With occasional pauses for Flip-O-Rama featurettes, the tales are all framed in brightly colored sequential panels with hand-lettered dialogue (“How do you feel, old friend?” “Ruff!”) and narrative. The figures are studiously diverse, with police officers of both genders on view and George, the chief, and several other members of the supporting cast colored in various shades of brown. Pilkey closes as customary with drawing exercises, plus a promise that the canine crusader will be further unleashed in a sequel.
What a wag. (Graphic fantasy. 7-9)Pub Date: Aug. 30, 2016
ISBN: 978-0-545-58160-8
Page Count: 240
Publisher: Graphix/Scholastic
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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