These poems’ sensuous imagery and heart-wrenching confessions will linger in readers’ minds.
Gold’s poetry collection highlights the physical and emotional turmoil of human desire.
This 66-poem selection includes an introduction by author Angela Yuriko Smith and artwork by erotic illustrator Martini. Early on, readers are invited to embark on a graphic journey through gay sex, love, and self-loathing. There’s no shortage of strong language, whether from a speaker who refers to himself as “a zombified fucktoy” (“Erased”) or another who struggles to reconcile thoughts that spring from “the darkest, most fucked up corners of my brain” (“Yellow Hands”). Repeated motifs of muscles, sweat, and metal lend a visceral quality to Gold’s words, urging readers to sit with their own physicality in a way that will enliven some readers and disturb others—but the poet makes no apologies for creating works that aren’t for the fainthearted, nor should he. The accompanying artwork features muscled titans, often twisting themselves into unfathomable positions as stars spin in the background, which perfectly matches the ethereal verses. Sprinkled with occasional double entendres (“How often I wandered streets where every door was a closet”), the poems reference everything from biology (“bacterial nothingness”; “mitochondrial urges”) to Greek mythology: “tremendous undulations of their bodies, rocking in hot bedchambers consigned to some protean-fetishized hell, raged with an unforeseen Hadean desire, hungrily groping the night” (“Rêves Érotiques: Ancient Desires”). Through it all, Gold remains consistent in his dedication to dreamlike visions, even as he tackles such weighty issues as hatred (directed inward and outward) and physical and emotional and pain. The result is a bleak but beautiful series of works, full of haunting, lyrical introspection.
These poems’ sensuous imagery and heart-wrenching confessions will linger in readers’ minds.Pub Date: June 20, 2023
ISBN: 979-8986219493
Page Count: 170
Publisher: Hex Publishers
Review Posted Online: June 1, 2023
Review Program: Kirkus Indie
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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