by May-lee Chai & Winberg Chai ‧ RELEASE DATE: June 1, 2001
A multilayered memoir that successfully weaves historical detail with familial emotions of different generations and...
Family lore is shared and family secrets are revealed in this two-in-one memoir, which also offers a unique perspective of a pivotal period in 20th-century Chinese history.
After Ruth Tsao Chai’s death, her surprised family discovered that she had secretly arranged to be buried alone rather than in the plot she and her devoted husband had purchased years before. In order to understand Ruth’s strange choice, her first-born son, Winberg, and her granddaughter, May-lee (My Lucky Face, 1997) examine the woman’s eventful life. Through alternating narratives and points of view, a three-dimensional portrait emerges of a woman who defied traditional expectations. Intelligent, beautiful, stubborn, and a Christian, Ruth was one of the first women admitted to a university in China. She refused an arranged marriage and instead chose Charles, who courted her while they were both students in the US. After they married and returned to China, they became involved in the country’s changing political tides and significant events—including the Japanese invasions. It was Ruth’s intuition that kept her family alive during WWII and enabled them to immigrate to the US. But her life never really turned out as she truly wished, and she grew resentful and suspicious with age and eventually made her unusual burial request. In their investigations, son and granddaughter journeyed to China, where Winberg’s memories were rekindled and May-lee gained a sense of her own identity by learning about her family’s origins. A personal photo appears at the start of each chapter, which nicely creates the illusion of thumbing through a family album. By looking at the faces of people now departed but once vividly alive (especially Ruth’s, as she ages through the chapters), the reader is inspired to address universal moods and longings.
A multilayered memoir that successfully weaves historical detail with familial emotions of different generations and fulfills Ruth’s ultimate wish: to be remembered. (b&w photos throughout)Pub Date: June 1, 2001
ISBN: 0-312-26808-4
Page Count: 320
Publisher: Dunne/St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2001
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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