In her third volume of poems, Maya Angelou proves once again that audacity can pay off. Seemingly unafraid to approach anything, she includes comments on aging, the disappointments of love, anger at the abuse of black people, and the everyday aspects of womanhood. The moving spirit is summed up in the poem "Still I Rise" when she says "Does my sassiness upset you?/ Why are you beset with gloom?/ 'Cause I walk like I've got oil wells/ Pumping in my living room. . . ." The music of these lines is continued throughout the book: indeed Angelou's use of the refrain often serves to break up a poem when the tension grows overwhelming, as in "One More Round," an anti-slavery piece, where she punctuates illustrations of abuse with a chorus reminiscent of a work song: "One more round/ And let's heave it down. . . ." Angelou's most glaring weakness is a tendency towards obvious and rhetorical statement, as in "Ain't that Bad," which lists items commonly associated with blacks (Stevie Wonder, rice and beans, etc.) in a way that fails to dramatize any point. However, through her use of music and direct, uninhibited statement, she has written a distinctive and energetic volume.