MY PAINTED HOUSE, MY FRIENDLY CHICKEN, AND ME

A beguiling collaboration between the renowned poet (All God's Children Need Traveling Shoes, 1986, etc.) and a Namibian-born photojournalist. Thandi, an eight-year-old Ndebele girl from a South African village, is first glimpsed in European school clothes but talks mostly about her traditional culture, in which "people do not call anything beautiful. They will say that the best thing is good." She tells how their intricately patterned houses are painted and describes her mother's beadwork, focusing on the contrast between these arts and the sober modern world of town and school. Thandi's sunny, childlike voice is gracefully honed and has delightful touches of humor, especially about her "best friend," a chicken: "When I tell my friend secrets, she can talk all she wants...but no one can understand her...except another chicken, of course" (ellipses in original). In the expertly composed color photos, Thandi and the other children glow with mischief, laugh out loud, or "just sit back deep inside themselves"; the crafts are also handsomely displayed. The design here (by Alexander Isley Design) is inspired, setting off words and photos to perfection. Vibrant color blocks and pages echo hues in the photos and contrast with white pages. Spacing and different sizes of sans-serif type enhance the cadence and emphasis of the first-person narrative. A fine introduction to these young South Africans. (Nonfiction/Picture book. 4-8)

Pub Date: Oct. 3, 1994

ISBN: 0-517-59667-9

Page Count: 34

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 15, 1994

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A DOG NAMED SAM

A book that will make young dog-owners smile in recognition and confirm dogless readers' worst suspicions about the mayhem caused by pets, even winsome ones. Sam, who bears passing resemblance to an affable golden retriever, is praised for fetching the family newspaper, and goes on to fetch every other newspaper on the block. In the next story, only the children love Sam's swimming; he is yelled at by lifeguards and fishermen alike when he splashes through every watering hole he can find. Finally, there is woe to the entire family when Sam is bored and lonely for one long night. Boland has an essential message, captured in both both story and illustrations of this Easy-to-Read: Kids and dogs belong together, especially when it's a fun-loving canine like Sam. An appealing tale. (Picture book. 4-8)

Pub Date: April 1, 1996

ISBN: 0-8037-1530-7

Page Count: 40

Publisher: Dial Books

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 1, 1996

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TO MARKET, TO MARKET

A marketing trip from Miranda (Glad Monster, Sad Monster, p. 1309) that jiggity jigs off in time-honored nursery-rhyme fashion, but almost immediately derails into well-charted chaos. The foodstuffs—the fat pig, the red hen, the plump goose, the pea pods, peppers, garlic, and spice—are wholly reasonable in light of the author's mention of shopping at traditional Spanish mercados, which stock live animals and vegetables. Stevens transfers the action to a standard American supermarket and a standard American kitchen, bringing hilarity to scenes that combine acrylics, oil pastels, and colored pencil with photo and fabric collage elements. The result is increasing frazzlement for the shopper, an older woman wearing spectacles, hat, and purple pumps (one of which is consumed by her groceries). It's back to market one last time for ingredients for the hot vegetable soup she prepares for the whole bunch. True, her kitchen's trashed and she probably won't find a welcome mat at her supermarket hereafter, but all's well that ends well—at least while the soup's on. (Picture book. 4-8)

Pub Date: Oct. 1, 1997

ISBN: 0-15-200035-6

Page Count: 36

Publisher: Harcourt

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Oct. 15, 1997

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