by Maya Angelou & photographed by Margaret Courtney-Clarke ‧ RELEASE DATE: Oct. 3, 1994
A beguiling collaboration between the renowned poet (All God's Children Need Traveling Shoes, 1986, etc.) and a Namibian-born photojournalist. Thandi, an eight-year-old Ndebele girl from a South African village, is first glimpsed in European school clothes but talks mostly about her traditional culture, in which "people do not call anything beautiful. They will say that the best thing is good." She tells how their intricately patterned houses are painted and describes her mother's beadwork, focusing on the contrast between these arts and the sober modern world of town and school. Thandi's sunny, childlike voice is gracefully honed and has delightful touches of humor, especially about her "best friend," a chicken: "When I tell my friend secrets, she can talk all she wants...but no one can understand her...except another chicken, of course" (ellipses in original). In the expertly composed color photos, Thandi and the other children glow with mischief, laugh out loud, or "just sit back deep inside themselves"; the crafts are also handsomely displayed. The design here (by Alexander Isley Design) is inspired, setting off words and photos to perfection. Vibrant color blocks and pages echo hues in the photos and contrast with white pages. Spacing and different sizes of sans-serif type enhance the cadence and emphasis of the first-person narrative. A fine introduction to these young South Africans. (Nonfiction/Picture book. 4-8)
Pub Date: Oct. 3, 1994
ISBN: 0-517-59667-9
Page Count: 34
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1994
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More by Maya Angelou
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by Maya Angelou and illustrated by Steve Johnson and Lou Fancher
by Janice Boland & illustrated by G. Brian Karas ‧ RELEASE DATE: April 1, 1996
A book that will make young dog-owners smile in recognition and confirm dogless readers' worst suspicions about the mayhem caused by pets, even winsome ones. Sam, who bears passing resemblance to an affable golden retriever, is praised for fetching the family newspaper, and goes on to fetch every other newspaper on the block. In the next story, only the children love Sam's swimming; he is yelled at by lifeguards and fishermen alike when he splashes through every watering hole he can find. Finally, there is woe to the entire family when Sam is bored and lonely for one long night. Boland has an essential message, captured in both both story and illustrations of this Easy-to-Read: Kids and dogs belong together, especially when it's a fun-loving canine like Sam. An appealing tale. (Picture book. 4-8)
Pub Date: April 1, 1996
ISBN: 0-8037-1530-7
Page Count: 40
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1996
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by Carson Ellis ; illustrated by Carson Ellis ‧ RELEASE DATE: Feb. 24, 2015
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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More by Randall de Sève
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by Randall de Sève ; illustrated by Carson Ellis
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by Mac Barnett ; illustrated by Carson Ellis
BOOK REVIEW
by Carson Ellis ; illustrated by Carson Ellis
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