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MIRACLE GIRLS

Short story writer (Lucy on the West Coast, 1996) Caschetta’s first novel is filled with a kind of dark poetry and the...

In upstate New York, young girls go missing, nuns are revolting, Nixon is resigning, and young Cee-Cee Bianco has visions of the Virgin Mary in this polished debut novel.

Ten-year-old Cee-Cee has a broken family: Father Frank goes on drunken benders, mother Glory runs away for weeks at a time, middle brother Roadie is wracked with guilt over his burgeoning homosexuality, and eldest Anthony is…a little off. Cee-Cee and Baby Pauly cling to each other, as close as twins. One cold day Anthony lures the kids into the woods behind the house, and as something terrible, miraculous, mysterious happens to Cee-Cee there, a chorus of saints advises her on how to save Pauly, who has fallen into a frozen pond while running for help. Cee-Cee eventually wakes from a fever, but Pauly, alive despite spending hours under the ice, is at a rehabilitation center on life support. Cee-Cee is brought to live with her Nonna, who lives across from the Sisters of the Order of Christ’s Most Precious Wounds; with her visions and messages, Cee-Cee is a favorite of the nuns, particularly the Mother General, Sister Amanda. Sister Amanda, secretly working for a number of progressive causes (and suspected by the FBI of building bombs), funnels an army of young women, always in pairs and all called Miranda, through Nonna’s spare room before moving them on to some other task. Girls disappear, Cee-Cee’s friend Mary Margaret keeps burying baby brothers and sisters, Roadie claims Cee-Cee’s attacker wore a blue jacket just like Father Giuseppe, but the dangers “out there” feel much closer, more threatening, and it’s up to Cee-Cee to find the truth, which might take a miracle.

Short story writer (Lucy on the West Coast, 1996) Caschetta’s first novel is filled with a kind of dark poetry and the menace of ordinary evils.

Pub Date: Nov. 11, 2014

ISBN: 978-1-938126-15-4

Page Count: 288

Publisher: Engine Books

Review Posted Online: Sept. 27, 2014

Kirkus Reviews Issue: Oct. 15, 2014

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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