An intriguing development as an alien-first-contact epic sprouts new characters.
In Wood’s (Collapse, 2018, etc.) sci-fi novel, a planet of insectoid creatures, already stricken by internal conflict, reacts fearfully to evidence of other intelligent life.
The previous two books in this series were conventional, if well-told, narratives of an Earth reduced to survivalist feudalism by a terrorism-inspired nuclear barrage. The remnants of American society then received a fateful visit from the inquisitive Qu’uda—amphibian extraterrestrials seeking habitable worlds. Here, in Book 3, the perspective shifts sharply to a faraway, exotic alien civilization. It’s a technologically advanced world that’s dominated by insectlike beings, with a matriarchy of divalike queens at the apex of society; the latter have exoskeletons with deadly retractable spines, and they communicate, in part, by scent. Earlier wars between hives tainted the planet’s environment; now, they’ve agreed on an uneasy détente for the greater good of their gene pool and adhere to a religion (“the Way of the Mother”) that bans fusion weapons, among other things. An unwary Qu’uda scout ship intrudes into the situation, triggering cataclysmic misunderstandings that will echo throughout the series’ overarching storyline. Middle chapters in multivolume sci-fi sagas often get little respect, as they’re often perceived as mere bridges to get from one major point to another. But in this third installment of the five-part Clash of the Aliens series, invested readers receive stylistic dividends. For example, Wood telegraphs the resolution by framing the story as a report by historian Kot-Nih, who pieces events together from various testimonies. The alien advises readers that there are no villains, and indeed, Wood’s tale doesn’t portray any of the three cultures as intrinsically evil—although all indulge in dangerous games of power, prestige, and social ostracism; indeed, Homo sapiens may come off as the worst of the lot. This volume isn’t as action-packed as Wood’s earlier books, but it moves things along in a fresh manner, and its total immersion in alien values is compelling in its own right. It may inspire its human readers to just leave those annoying carpenter-ant mounds in the yard alone.
An intriguing development as an alien-first-contact epic sprouts new characters.Pub Date: Jan. 1, 2019
ISBN: 978-1-387-60260-5
Page Count: 315
Publisher: Faucett Publishing
Review Posted Online: Feb. 23, 2019
Kirkus Reviews Issue: April 1, 2019
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.
A man walks out of a bar and his life becomes a kaleidoscope of altered states in this science-fiction thriller.
Crouch opens on a family in a warm, resonant domestic moment with three well-developed characters. At home in Chicago’s Logan Square, Jason Dessen dices an onion while his wife, Daniela, sips wine and chats on the phone. Their son, Charlie, an appealing 15-year-old, sketches on a pad. Still, an undertone of regret hovers over the couple, a preoccupation with roads not taken, a theme the book will literally explore, in multifarious ways. To start, both Jason and Daniela abandoned careers that might have soared, Jason as a physicist, Daniela as an artist. When Charlie was born, he suffered a major illness. Jason was forced to abandon promising research to teach undergraduates at a small college. Daniela turned from having gallery shows to teaching private art lessons to middle school students. On this bracing October evening, Jason visits a local bar to pay homage to Ryan Holder, a former college roommate who just received a major award for his work in neuroscience, an honor that rankles Jason, who, Ryan says, gave up on his career. Smarting from the comment, Jason suffers “a sucker punch” as he heads home that leaves him “standing on the precipice.” From behind Jason, a man with a “ghost white” face, “red, pursed lips," and "horrifying eyes” points a gun at Jason and forces him to drive an SUV, following preset navigational directions. At their destination, the abductor forces Jason to strip naked, beats him, then leads him into a vast, abandoned power plant. Here, Jason meets men and women who insist they want to help him. Attempting to escape, Jason opens a door that leads him into a series of dark, strange, yet eerily familiar encounters that sometimes strain credibility, especially in the tale's final moments.
Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.Pub Date: July 26, 2016
ISBN: 978-1-101-90422-0
Page Count: 352
Publisher: Crown
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
PROFILES
BOOK TO SCREEN
BOOK TO SCREEN
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