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AND NOW WE HAVE EVERYTHING

ON MOTHERHOOD BEFORE I WAS READY

A well-written book that provides refreshingly candid insight into the physical and emotional changes that take place during...

Navigating the ups and downs of being a new mother.

O’Connell and her partner, Dustin, were contemplating marriage, but the idea of having a child was the farthest thing from both their minds. They had careers to advance, books to write, and other things to do with their lives; there was no time for a kid. Then she got pregnant. Like many soon-to-be moms, O’Connell read everything she could find on pregnancy, childbirth, and breast-feeding, but nothing prepared her for the actual events as they unfolded. In this compact narrative, the author begins slowly, telling her backstory and working through the “wow, I’m pregnant” stage of telling her friends and adjusting to her body as it changed over the months. She incorporates humor and honesty, but this part of the story will feel overly familiar to many readers. Then the prose shifts as she recounts the birth itself. Suddenly, the writing becomes more visceral and dynamic, and she shares the very intimate details of what it was like to spend 40 hours in labor. The author’s engaging tone continues with her discussions of the real feelings she had about her body after pregnancy, her trials with breast-feeding, the resentment she felt toward Dustin, who seemed to be a better parent than she was, and the lack of sexual desire she experienced for months after the birth. For current mothers, the author’s story will resonate deeply. For any woman contemplating having a child, O’Connell provides an accurate depiction of what it can feel like to be a new mom, both physically and emotionally. For men who want to know and understand what being a mother is like, this book should prove useful.

A well-written book that provides refreshingly candid insight into the physical and emotional changes that take place during pregnancy and early motherhood, times that are both “traumatic [and] transcendent.”

Pub Date: April 10, 2018

ISBN: 978-0-316-39384-3

Page Count: 240

Publisher: Little, Brown

Review Posted Online: Feb. 19, 2018

Kirkus Reviews Issue: March 1, 2018

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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