Fans of the island-lit genre will find familiar pleasures but also unrealistic situations and cringeworthy moments.
When a novelist writer retreats to Block Island to hide, his new life gets off on the wrong foot with a big lie.
Anthony Puckett, son of a blockbuster writer of James Patterson–esque dimensions, published his first novel to acclaim so fervent it made his father jealous. Unfortunately, his sophomore effort was found to contain 1,200 words plagiarized from a little-known Irish author. (How do you steal 1,200 words from one novel and drop them unchanged into another? Don't think about this too long.) His downward spiral hits bottom when his soulless bitch of a wife puts him out of the house and cuts off communication between him and his 4-year-old son. Off he goes as "Anthony Jones" to a borrowed cabin on Block Island, where his next-door neighbor is a former attorney who graduated fourth in her class at Stanford Law but is now unhappily married to a surgical oncologist who has demanded she abandon her career to become a stay-at-home mom. In secret, she has become a popular food blogger under a false identity: an articulate, sensitive stay-at-home dad posting as Dinner by Dad. In a coincidence that the author herself labels bold, Dinner by Dad is the favorite food blog of the island native who becomes Anthony's love interest—Joy, a single mom and whoopie-pie entrepreneur with a teenager, who in turn ends up babysitting at the home of the food blogger. Novelist that he is, Anthony often identifies "plot twists" in his life as they arrive, and the final section of this book will give him plenty of material, with an apparent kidnapping, a hurricane, a sudden death, and an earthshaking backstory reveal. Moore (The Captain's Daughter, 2017, etc.) has a pretty jaded view of writers—liars, plagiarists, lukewarm mothers, and terrible fathers. This book has all the elements of an Elin Hildebrand novel—island setting, writer character, second-chance love story—without the polish and sophistication, which unfortunately cannot be pasted in via references to Virginia Woolf, Edith Wharton, etc. Editing could have deleted some of the flat-footed, sometimes-laughable dialogue and the near-silliness of the cavalcade of climactic events. Also, how many times does someone have to say they have something to tell you before you let them spit it out?
Fans of the island-lit genre will find familiar pleasures but also unrealistic situations and cringeworthy moments.Pub Date: June 11, 2019
ISBN: 978-0-06-284006-6
Page Count: 432
Publisher: Morrow/HarperCollins
Review Posted Online: March 3, 2019
Kirkus Reviews Issue: March 15, 2019
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
PROFILES
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
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