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THE WEDNESDAY DAUGHTERS

Contrived and convoluted in effecting feel-good spirituality.

This sequel to The Wednesday Sisters (2008) follows a second generation of sensitive friends as they travel to a cottage in England’s Lake District to uncover secrets and bond, as Clayton’s female characters are wont to do.

Asha, a 40-ish lawyer also called Hope by her friends, has come to the cottage where her mother, Allison, an unpublished writer of children’s stories about animals, spent a lot of time before her recent death. Asha is accompanied by Anna Page, a 51-year-old heart surgeon and the daughter of literary editor Kath; and 48-year-old librarian Julie, the daughter of Linda and sister of recently deceased Jamie. Each woman has issues: Asha, whose maternal grandparents had nothing to do with her because her father was Indian, is facing a crisis in her marriage to Kevin, who wants to start a family; never married Anna Page loves to play matchmaker for her friends, and even her mother, but has always avoided commitment/intimacy herself, probably because she was scarred by her father’s long-term adultery; grieving Julie has been having an affair with Jamie’s widower. In England, whiny Asha, who resents drama queen Anna Page’s closeness to Allison, finds Allison’s journal in which Beatrix Potter figures prominently, as if the dead author were still alive—passionate appreciation of Beatrix Potter is required to enjoy this novel. Asha also discovers both Allison’s secret about her own heritage and her secret relationship with wealthy neighbor Graham. Meanwhile, Anna Page manipulates bookish, guilt-ridden Julie into a seemingly unlikely relationship with boatman Robbie, who is really a poet from Ireland on his own secret mission concerning his dead wife. Anna Page, who has a tendency to hand nice men over to others and keep jerks for herself, also tries to set up her visiting mother with Graham. But the men, handsome and sensitive as they may be, are really not the point, since the message is that these women solve each other’s problems and know each other best. 

Contrived and convoluted in effecting feel-good spirituality.

Pub Date: July 30, 2013

ISBN: 978-0-345-53028-8

Page Count: 304

Publisher: Ballantine

Review Posted Online: May 17, 2013

Kirkus Reviews Issue: June 1, 2013

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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