Contrived and convoluted in effecting feel-good spirituality.
This sequel to The Wednesday Sisters (2008) follows a second generation of sensitive friends as they travel to a cottage in England’s Lake District to uncover secrets and bond, as Clayton’s female characters are wont to do.
Asha, a 40-ish lawyer also called Hope by her friends, has come to the cottage where her mother, Allison, an unpublished writer of children’s stories about animals, spent a lot of time before her recent death. Asha is accompanied by Anna Page, a 51-year-old heart surgeon and the daughter of literary editor Kath; and 48-year-old librarian Julie, the daughter of Linda and sister of recently deceased Jamie. Each woman has issues: Asha, whose maternal grandparents had nothing to do with her because her father was Indian, is facing a crisis in her marriage to Kevin, who wants to start a family; never married Anna Page loves to play matchmaker for her friends, and even her mother, but has always avoided commitment/intimacy herself, probably because she was scarred by her father’s long-term adultery; grieving Julie has been having an affair with Jamie’s widower. In England, whiny Asha, who resents drama queen Anna Page’s closeness to Allison, finds Allison’s journal in which Beatrix Potter figures prominently, as if the dead author were still alive—passionate appreciation of Beatrix Potter is required to enjoy this novel. Asha also discovers both Allison’s secret about her own heritage and her secret relationship with wealthy neighbor Graham. Meanwhile, Anna Page manipulates bookish, guilt-ridden Julie into a seemingly unlikely relationship with boatman Robbie, who is really a poet from Ireland on his own secret mission concerning his dead wife. Anna Page, who has a tendency to hand nice men over to others and keep jerks for herself, also tries to set up her visiting mother with Graham. But the men, handsome and sensitive as they may be, are really not the point, since the message is that these women solve each other’s problems and know each other best.
Contrived and convoluted in effecting feel-good spirituality.Pub Date: July 30, 2013
ISBN: 978-0-345-53028-8
Page Count: 304
Publisher: Ballantine
Review Posted Online: May 17, 2013
Kirkus Reviews Issue: June 1, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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