Runs to surprising depths, and Sammy the donkey will live long in young memory.



Dendler (Dottie’s Daring Day, 2017, etc.) addresses overcoming preconceptions in this middle-grade fairy tale.

Thirteen-year-old Bianca is known throughout the Kingdom of Pacifico as the Frail and Delicate Princess. She was very weak at birth and has spent her entire life in the castle, kept safe by her loving, overprotective father. Bianca does not feel frail and delicate. She may be cosseted (“Never…was she allowed to meet other children….Who knew what kind of diseases they carried?”), but she has grown into a healthy young girl, brimming with imagination and yearning to explore the world. Yet how can she? She is the Frail and Delicate Princess, and that is all there is to it…until a fire-breathing dragon threatens the kingdom and Bianca’s father and his bravest knights march off to do battle with it. When they don’t return, Bianca sneaks out and embarks on her own quest. With only a charismatic donkey for company, she will track down the dragon. She will save the kingdom and be Frail and Delicate no longer! Dendler writes on the safe side of scary, capturing the magical essence rather than the Grimm aspect of fairy tales. Bianca’s adventure may be straightforward, but it remains spry and charming, its message of empowerment no less effective for being overt. Primary school readers surely will empathize with Bianca (nobody should be chained by assumptions of what they can and cannot do), yet hers is not the only life being affected by pigeonholing. Throughout the story, hidden in plain sight amid the palace folk and fairy-tale tropes and exquisitely characterized animals, Dendler presents a subtler exploration of labeling. It’s to her great credit that the book’s denouement, though obvious in retrospect, comes as both uplifting and unforeseen. Bianca, all told, is a memorable middle-grade heroine.

Runs to surprising depths, and Sammy the donkey will live long in young memory.

Pub Date: Dec. 1, 2017

ISBN: 978-0-692-93829-4

Page Count: 134

Publisher: Serenity Mountain Publishing

Review Posted Online: Oct. 4, 2017

Kirkus Reviews Issue: Dec. 1, 2017

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The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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