Not previously known for whimsy, Wolitzer (The Ten-Year Nap, 2008, etc.) uses a magical premise to launch her sharp-eyed assessment of sexual desire in its permutations across generations and genders.
A high-school production of Lysistrata casts a “spell” that causes every woman in the town of Stellar Plains, N.J., to lose interest in sex. That includes teenaged Willa Lang, who has barely had time to enjoy her first real romance, as well as her mother Dory, whose sudden indifference after years of enthusiastic marital intimacies pains and puzzles husband Robby. Dory and Robby are English teachers at Eleanor Roosevelt High School, where new drama teacher Fran Heller is rehearsing Aristophanes’ centuries-old comedy about women withholding sex to stop war—which inspires the play’s star, Marissa Clayborn, to stage her own “sex strike” to call attention to the conflict in Afghanistan. The spell isn’t the best fit for a writer of Wolitzer’s comic gifts, and at first it seems like a long way to go to get to the novel’s best scene, in which five female teachers ruefully remember the thrill of youthful physical love and its slow devolution into routine or obligation. The wincing recognition prompted by their comments is matched by the author’s compassionate portraits of mostly decent, loving men unnerved by a sea change they can’t comprehend or cope with. Hardest hit is Fran’s son Eli, so distressed by Willa’s rejection that he heads for his father’s home in Michigan; Fran and husband Lowell decided long ago that the way to keep passion fresh was to live apart. The performance of Lysistrata, with Willa subbing for sex-striking Marissa, provokes a general healing that skirts perilously close to contrivance and sticky sentiment, but Wolitzer makes it work, thanks to sharp characterizations and acute observations on everything from the digital generation gap to the accommodations made in a long marriage.
A risky strategy pays off for a smart author whose work both amuses and hits home.Pub Date: April 5, 2011
ISBN: 978-1-59448-788-0
Page Count: 288
Publisher: Riverhead
Review Posted Online: Dec. 30, 2010
Kirkus Reviews Issue: Jan. 1, 2011
Categories: FAMILY LIFE & FRIENDSHIP
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Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 6, 2018
Kirkus Reviews Issue: Feb. 15, 2018
Categories: GENERAL THRILLER & SUSPENSE | SUSPENSE | FAMILY LIFE & FRIENDSHIP | SUSPENSE
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A love letter to the power of books and friendship.
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Women become horseback librarians in 1930s Kentucky and face challenges from the landscape, the weather, and the men around them.
Alice thought marrying attractive American Bennett Van Cleve would be her ticket out of her stifling life in England. But when she and Bennett settle in Baileyville, Kentucky, she realizes that her life consists of nothing more than staying in their giant house all day and getting yelled at by his unpleasant father, who owns a coal mine. She’s just about to resign herself to a life of boredom when an opportunity presents itself in the form of a traveling horseback library—an initiative from Eleanor Roosevelt meant to counteract the devastating effects of the Depression by focusing on literacy and learning. Much to the dismay of her husband and father-in-law, Alice signs up and soon learns the ropes from the library’s leader, Margery. Margery doesn’t care what anyone thinks of her, rejects marriage, and would rather be on horseback than in a kitchen. And even though all this makes Margery a town pariah, Alice quickly grows to like her. Along with several other women (including one black woman, Sophia, whose employment causes controversy in a town that doesn’t believe black and white people should be allowed to use the same library), Margery and Alice supply magazines, Bible stories, and copies of books like Little Women to the largely poor residents who live in remote areas. Alice spends long days in terrible weather on horseback, but she finally feels happy in her new life in Kentucky, even as her marriage to Bennett is failing. But her powerful father-in-law doesn’t care for Alice’s job or Margery’s lifestyle, and he’ll stop at nothing to shut their library down. Basing her novel on the true story of the Pack Horse Library Project established by the Works Progress Administration in the 1930s, Moyes (Still Me, 2018, etc.) brings an often forgotten slice of history to life. She writes about Kentucky with lush descriptions of the landscape and tender respect for the townspeople, most of whom are poor, uneducated, and grateful for the chance to learn. Although Alice and Margery both have their own romances, the true power of the story is in the bonds between the women of the library. They may have different backgrounds, but their commitment to helping the people of Baileyville brings them together.
A love letter to the power of books and friendship.Pub Date: Oct. 8, 2019
ISBN: 978-0-399-56248-8
Page Count: 400
Publisher: Pamela Dorman/Viking
Review Posted Online: July 1, 2019
Kirkus Reviews Issue: Aug. 1, 2019
Categories: GENERAL FICTION | HISTORICAL FICTION | FAMILY LIFE & FRIENDSHIP
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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