Ambitious and involving, capturing the zeitgeist of the liberal intelligentsia of the era.

THE INTERESTINGS

Wolitzer (The Uncoupling, 2011) follows a group of friends from adolescence at an artsy summer camp in 1974 through adulthood and into late-middle age as their lives alternately intersect, diverge and reconnect.

Middle-class suburban Julie becomes Jules when a group of more sophisticated kids from Manhattan include her in their clique at Camp Spirit-in-the-Woods in upstate New York. Her lifelong best friend becomes beautiful Ash, an aspiring actress. Ash’s older brother is sexy bad-boy Goodman. Cathy, who wants to dance, becomes Goodman’s girlfriend. Jonah, the ethereally handsome, slightly withdrawn son of a famous folksinger, is musically gifted. And then there is Ethan: homely, funny and a brilliant cartoonist. Although he and Jules are immediately soul mates, she rejects his physical advances, unable to work up any sexual attraction. After this first idyllic summer, the novel cuts to 2009 when Jules, now living a modest middle-class life as a therapist married to a medical technician, receives her annual Christmas letter from Ethan and Ash, who are married and wildly successful. As she looks back, the reader follows the evolution of the group. While still in high school, Cathy and Goodman break up in disastrous fashion; they both disappear from the group but not without causing permanent repercussions. For one thing, to Jules’ surprise, Goodman’s grieving sister Ash and Ethan become an unlikely but devoted couple. Jonah, who evolves as the inevitable sympathetic gay character in a novel tracing social mores through the last decades of the 20th century, gives up music for engineering. Ash becomes a feminist director and marries Ethan, the true genius of the group, who experiences major creative and financial success with his long-running animated series. Jules, who has given up acting to become a therapist and has married sweet but unambitious Dennis, tries not to envy her friend’s success. Secrets are kept for decades among the six “Interestings”; resentments are nursed; loyalties are tested with mixed results.

Ambitious and involving, capturing the zeitgeist of the liberal intelligentsia of the era.

Pub Date: April 9, 2013

ISBN: 978-1-59448-839-9

Page Count: 480

Publisher: Riverhead

Review Posted Online: Jan. 21, 2013

Kirkus Reviews Issue: Feb. 1, 2013

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Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.

ALL YOUR PERFECTS

Named for an imperfectly worded fortune cookie, Hoover's (It Ends with Us, 2016, etc.) latest compares a woman’s relationship with her husband before and after she finds out she’s infertile.

Quinn meets her future husband, Graham, in front of her soon-to-be-ex-fiance’s apartment, where Graham is about to confront him for having an affair with his girlfriend. A few years later, they are happily married but struggling to conceive. The “then and now” format—with alternating chapters moving back and forth in time—allows a hopeful romance to blossom within a dark but relatable dilemma. Back then, Quinn’s bad breakup leads her to the love of her life. In the now, she’s exhausted a laundry list of fertility options, from IVF treatments to adoption, and the silver lining is harder to find. Quinn’s bad relationship with her wealthy mother also prevents her from asking for more money to throw at the problem. But just when Quinn’s narrative starts to sound like she’s writing a long Facebook rant about her struggles, she reveals the larger issue: Ever since she and Graham have been trying to have a baby, intimacy has become a chore, and she doesn’t know how to tell him. Instead, she hopes the contents of a mystery box she’s kept since their wedding day will help her decide their fate. With a few well-timed silences, Hoover turns the fairly common problem of infertility into the more universal problem of poor communication. Graham and Quinn may or may not become parents, but if they don’t talk about their feelings, they won’t remain a couple, either.

Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.

Pub Date: July 17, 2018

ISBN: 978-1-5011-7159-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 1, 2018

Kirkus Reviews Issue: May 15, 2018

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

THEN SHE WAS GONE

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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