by Megan Marshall ‧ RELEASE DATE: March 12, 2013
Lively, intuitive study of a remarkable American character.
A deeply sympathetic life of an exceptional mind, protofeminist and revolutionary.
Embedded in the Emersonian milieu as biographer (The Peabody Sisters: Three Women Who Ignited American Romanticism, 2005) and professor (Emerson Coll.), Pulitzer finalist Marshall is perfectly suited to her material, so much so that she frequently takes on the highhanded, emotive tone of her subject. Margaret Fuller (1810–1850) was the close colleague of Ralph Waldo Emerson, fellow editor of the transcendentalist journal The Dial, teacher and author of the groundbreaking feminist study Woman in the Nineteenth Century. The oldest daughter of a tyrannical lawyer and congressman in Massachusetts, Fuller demonstrated early on her abundant intellectual gifts. However, instead of attending Harvard, she had to sublimate her “unfocused striving and rankling frustration over family obligations” and teach her smaller siblings. When her father died in 1835, it fell on Fuller to take care of her mother and siblings, as a teacher and fledgling writer, yet his death also freed her to pursue her personal journey. Initiated into reformist ideas while teaching at Bronson Alcott’s Temple School and plunged into Emerson's circle, Fuller moved from Providence to Boston to New York, working on translations, leading a series of conversation classes with women and assuming editorship of the transcendentalist organ, before restlessly moving on to Horace Greeley’s New-York Tribune. Marshall’s discovery of a late-life journal reveals Fuller’s last beatific years in Rome as a correspondent, when she met the younger Giovanni Angelo Ossoli during the perilous revolutionary era of 1848. Bound home with their young son, the family perished together in the wreck of the Elizabeth off the coast of Fire Island in 1850. Friend of intellectual lights of the day, cultural emissary and author in her own right, Fuller had finally attained her own destiny.
Lively, intuitive study of a remarkable American character.Pub Date: March 12, 2013
ISBN: 978-0-547-19560-5
Page Count: 448
Publisher: Houghton Mifflin Harcourt
Review Posted Online: Jan. 12, 2013
Kirkus Reviews Issue: Feb. 1, 2013
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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