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JUDY MOODY GETS FAMOUS!

Envious of classmate and spelling-bee champ Jessica’s picture in the local paper, the irrepressible third grader introduced in Judy Moody (2000) tries for her own 15 minutes of fame. As she quickly discovers, it can be elusive. Like its predecessor, a disarming plot and likable characters are matched to an equally appealing format: small pages, generously spaced and sized type, die-cut windows in the dust jacket, and frequent ink-and-wash illustrations featuring smiles and high spots inside. In the end, Judy Moody earns her write-up inadvertently, after spiriting away a bagful of battered dolls from a hospital’s playroom, refurbishing them from her large private collection of loose doll parts—plus hospital gowns made from an old sheet and little casts of “oogey wet newspaper”—then returning them anonymously. “Phantom Doll Doctor Strikes County Hospital,” reads the headline. Only she, her affectionate nuclear family, and her likely-to-burgeon fan base know the truth. New chapter-book readers will enjoy watching Judy’s moods, and the ensuing complications, unfold. (Fiction. 8-10)

Pub Date: Aug. 1, 2001

ISBN: 0-7636-0849-1

Page Count: 144

Publisher: Candlewick

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 2001

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THE LEMONADE WAR

From the Lemonade War series , Vol. 1

Told from the point of view of two warring siblings, this could have been an engaging first chapter book. Unfortunately, the length makes it less likely to appeal to the intended audience. Jessie and Evan are usually good friends as well as sister and brother. But the news that bright Jessie will be skipping a grade to join Evan’s fourth-grade class creates tension. Evan believes himself to be less than clever; Jessie’s emotional maturity doesn’t quite measure up to her intelligence. Rivalry and misunderstandings grow as the two compete to earn the most money in the waning days of summer. The plot rolls along smoothly and readers will be able to both follow the action and feel superior to both main characters as their motivations and misconceptions are clearly displayed. Indeed, a bit more subtlety in characterization might have strengthened the book’s appeal. The final resolution is not entirely believable, but the emphasis on cooperation and understanding is clear. Earnest and potentially successful, but just misses the mark. (Fiction. 8-10)

Pub Date: April 23, 2007

ISBN: 0-618-75043-6

Page Count: 192

Publisher: Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2007

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STANLEY, FLAT AGAIN!

Flattened once more, this time not by a falling bulletin board but a double blow to his elusive “Osteal Balance Point”—or so says family GP Dr. Dan—Stanley Lambchop gets two more chances to play the hero before popping back into shape. First he becomes a human spinnaker in a sailboat race, then he worms his way through the wreckage of a collapsed building to rescue ever-rude classmate Emma Weeks. Alluding to previous episodes, Stanley complains, “Why me? Why am I always getting flat, or invisible, or something?” Mr. Lambchop replies, “But things often happen without there seeming to be a reason, and then something else happens, and suddenly the first thing seems to have had a purpose after all.” Perhaps—even if that purpose is just to tread water, as Brown does here. Still, with its cartoon illustrations, well-leaded text and general goofiness, this retread is as likely to draw transitional readers as the perennial favorite Flat Stanley (1964) and its sequels. (Fiction. 8-10)

Pub Date: March 1, 2003

ISBN: 0-06-009551-2

Page Count: 96

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 2003

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