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THE LAST HOUSE GUEST

An evocative and perfectly readable thriller, but genre fans will find few surprises within.

A year after her best friend’s supposed suicide, a young woman must clear her name when new evidence is uncovered.

The Lomans own much of Littleport, Maine, a fact that hasn’t changed much since their only daughter’s death a year ago. In the summer of 2017, on the night of the annual Plus-One party, aimed at summer people who've stayed a week longer than the traditional Labor Day end-of-season, golden girl Sadie Loman apparently threw herself off a cliff into the churning sea, but to those who knew her, especially her closest friend, Avery Greer, she seemed to have everything to live for. Year-round Littleport resident Avery was adrift after her parents’ deaths when she was a teen, but when she met the mesmerizing Sadie, a summer person, her life took on new meaning. Sadie and Avery became so close, it was sometimes hard to tell where one ended and the other began. After Avery’s grandmother died, Avery was alone, and the ridiculously wealthy Lomans seemed to welcome her into the family, even giving her a job as property manager for their coastal rentals and a place to live in their guesthouse. But everything fell apart after Sadie died. When Avery finds Sadie’s phone hidden in the rental cottage where last year’s Plus-One party was held, she turns it in to the police—after doing a bit of snooping. Additionally, someone’s been breaking into the rentals, and Sadie’s brooding older brother, Parker, is acting strangely. Sadie’s death is looking less and less like a suicide, and Avery is at the top of the suspect list. The Loman family’s lies are rising to the surface, but can Avery keep her head above water? The narrative, which flips between 2017 and 2018, grows increasingly tense as Avery, who is a surprisingly reliable narrator, gets closer to the truth, but while Miranda (The Perfect Stranger, 2017, etc.) builds some creepy atmosphere in the lead-up, the final revelations are more sad than shocking. Most compelling are the class tensions between Littleport’s year-round residents and the seasonal, moneyed tourists as well as the elusive nature of memory and the intricacies of friendship.

An evocative and perfectly readable thriller, but genre fans will find few surprises within.

Pub Date: June 18, 2019

ISBN: 978-1-5011-6537-5

Page Count: 352

Publisher: Simon & Schuster

Review Posted Online: March 30, 2019

Kirkus Reviews Issue: April 15, 2019

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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DISCLAIMER

An addictive psychological thriller.

When a mysterious novel appears on her bedside table, a successful documentary filmmaker finds herself face to face with a secret that threatens to unravel life as she knows it.

Catherine Ravenscroft has built a dream life, or close to it: the devoted husband, the house in London, the award-winning career as a documentary filmmaker. And though she’s never quite bonded with her 25-year-old son the way she’d hoped, he’s doing fine—there are worse things than being an electronics salesman. But when she stumbles across a sinister novel called The Perfect Stranger—no one’s quite sure how it came into the house—Catherine sees herself in its pages, living out scenes from her past she’d hoped to forget. It’s a threat—but from whom? And why now, 20 years after the fact? Meanwhile, Stephen Brigstocke, a retired teacher, widowed and in pain, is desperate to exact revenge on Catherine and make her pay for what happened all those years ago. The story is told in alternating chapters, Catherine's in the third-person and Stephen's in the first, as the two orbit each other, predator and prey, and the novel moves between the past and the present to paint a portrait of two troubled families with trauma bubbling under the surface. As their lives become increasingly entangled, Stephen’s obsession grows, Catherine’s world crumbles, and it becomes clear that—in true thriller form—everything may not be as it seems. But how much destruction must be wrought before the truth comes out? And when it does, will there be anything left to salvage? While the long buildup to the big reveal begins to drag, Knight’s elegant plot and compelling (if not unexpected) characters keep the heart of the novel beating even when the pacing falters. Atmospheric and twisting and ripe for TV adaptation, this debut novel never strays far from convention, but that doesn’t make it any less of a page-turner.

An addictive psychological thriller.

Pub Date: May 19, 2015

ISBN: 978-0-06-236225-4

Page Count: 352

Publisher: Harper/HarperCollins

Review Posted Online: March 1, 2015

Kirkus Reviews Issue: March 15, 2015

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