An unusual heroine anchors this creepy, fast-paced chiller. This is Miranda’s best book yet.
Arden Maynor was only 6 when a traumatic event changed her life forever.
Twenty years ago, Arden, who now goes by Olivia Meyer, was swept into Widow Hills, Kentucky’s underground system of pipes during a deluge and was trapped for three days before she was miraculously rescued. The rescue effort was immense, as was the media coverage. Support, monetary and otherwise, for little Arden poured in. Not all of the publicity and attention were good, however, and Olivia, who remembers very little about those three days, has been trying to put the entire incident behind her for a decade. Now she’s a hospital administrator in rural Central Valley, North Carolina, and is starting to feel that the worst is behind her, until she wakes up outside her home after a sleepwalking episode, the same thing that preceded her childhood ordeal. The sleepwalking incident sets her alarm bells clanging, but then she’s approached, in public, by a man who seems to know exactly who she is. She hasn’t even told her closest friend and co-worker, Bennett, about her past. When she awakens outside again one night, there’s a man’s body at her feet and blood covering her hands. The dead man turns out to be a blast from Olivia’s past, and now the police are involved. But Olivia isn’t about to let everything she’s done to put her past behind her come crashing down, even it means opening a Pandora’s box full of secrets that may have been better off left in the dark. Miranda nimbly mines underexplored terrain: the long-term aftermath of dramatic, highly publicized rescues. Olivia's desire to live a life undefined by that one event is relatable, and her amnesia about those three days lets Miranda flaunt her considerable talent for jaw-dropping, yet believable, twists. Even jaded readers might not see this one coming.
An unusual heroine anchors this creepy, fast-paced chiller. This is Miranda’s best book yet.Pub Date: June 23, 2020
ISBN: 978-1-5011-6542-9
Page Count: 336
Publisher: Simon & Schuster
Review Posted Online: March 28, 2020
Kirkus Reviews Issue: April 15, 2020
Trust no one in this over-the-top tale of deception and revenge.
Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.
The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.
Trust no one in this over-the-top tale of deception and revenge.Pub Date: May 26, 2026
ISBN: 9781464249631
Page Count: 368
Publisher: Poisoned Pen
Review Posted Online: April 20, 2026
Kirkus Reviews Issue: May 15, 2026
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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