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THE LAST TO VANISH

A richly atmospheric thriller with a plucky heroine.

When a man arrives at a North Carolina mountain hotel looking for clues to his journalist brother’s recent disappearance, the trail that he and the inn’s young manager start to follow leads them back to a sequence of unsolved cases, decades apart, that involve other missing hikers and that may be rooted in the town’s deepest secrets.

Labeled by the national press as “the most dangerous town in North Carolina,” Cutter’s Pass is a pretty place in which hikers have over the years had a tendency to vanish. There were the Fraternity Four, as a group of students came to be called, who disappeared in 1997; Alice Kelly in 2012; Farrah Jordan in 2019; and Landon West in 2022. To Abby Lovett, however, Cutter’s Pass, and in particular the town’s hotel, the Passage Inn, has become her adopted home and her refuge from a troubled past. As manager of the inn, Abby has come to know everybody, to love the wild mountain trails, and to learn that appearances can be deceptive. “Things here were designed to appear more fragile than they were,” she notes of the inn’s folksy touches, “but reinforced, because they had to be. We lived in the mountains, on the edge of the woods, subject to the whims of weather and the forces of nature.” In economical yet elegant descriptions, author Miranda repeatedly conjures up this untamed natural world even as she unspools a labyrinthine plot that has its roots in the distant past but that originates in the present when Trey West appears one stormy night at the Passage Inn. “He believed he could find them all,” Abby realizes when she and Trey, drawn to each other and into the quest for Trey’s missing brother, find a clue that links the most recent mystery to each of the ones that went before. The novel’s characters are deftly sketched and its suspense is nicely tightened, though the plot finally loses itself somewhat in a tangle of strained connections.

A richly atmospheric thriller with a plucky heroine.

Pub Date: July 26, 2022

ISBN: 978-1-982147-31-0

Page Count: 352

Publisher: Marysue Rucci Books

Review Posted Online: June 7, 2022

Kirkus Reviews Issue: July 1, 2022

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THE HOUSE ACROSS THE LAKE

A weird, wild ride.

Celebrity scandal and a haunted lake drive the narrative in this bestselling author’s latest serving of subtly ironic suspense.

Sager’s debut, Final Girls (2017), was fun and beautifully crafted. His most recent novels—Home Before Dark (2020) and Survive the Night (2021) —have been fun and a bit rickety. His new novel fits that mold. Narrator Casey Fletcher grew up watching her mother dazzle audiences, and then she became an actor herself. While she never achieves the “America’s sweetheart” status her mother enjoyed, Casey makes a career out of bit parts in movies and on TV and meatier parts onstage. Then the death of her husband sends her into an alcoholic spiral that ends with her getting fired from a Broadway play. When paparazzi document her substance abuse, her mother exiles her to the family retreat in Vermont. Casey has a dry, droll perspective that persists until circumstances overwhelm her, and if you’re getting a Carrie Fisher vibe from Casey Fletcher, that is almost certainly not an accident. Once in Vermont, she passes the time drinking bourbon and watching the former supermodel and the tech mogul who live across the lake through a pair of binoculars. Casey befriends Katherine Royce after rescuing her when she almost drowns and soon concludes that all is not well in Katherine and Tom’s marriage. Then Katherine disappears….It would be unfair to say too much about what happens next, but creepy coincidences start piling up, and eventually, Casey has to face the possibility that maybe some of the eerie legends about Lake Greene might have some truth to them. Sager certainly delivers a lot of twists, and he ventures into what is, for him, new territory. Are there some things that don’t quite add up at the end? Maybe, but asking that question does nothing but spoil a highly entertaining read.

A weird, wild ride.

Pub Date: June 21, 2022

ISBN: 978-0-593-18319-9

Page Count: 368

Publisher: Dutton

Review Posted Online: March 29, 2022

Kirkus Reviews Issue: April 15, 2022

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THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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