An ill-wrought, not to mention superfluous, tie-in.
The Pumpkin King of Halloween Town misguidedly tries to give Santa an enforced rest.
Joining pop-up, picture-book, movie novelization, video game, and multiple manga versions of the original film, not to mention a heavily illustrated 2021 deluxe adaptation and a YA sequel (Shea Ernshaw’s Long Live the Pumpkin Queen, 2022), this effort to squeeze the last drop of market juice from the macabre holiday classic presents a clunky prose rendition set within wide black borders, unadorned with atmospheric spot art, original illustrations, or even stills. Shepherd does largely preserve the film’s plotline and dialogue, if not always with literary flair: “Almost moving as one amorphous blob, the crowd pressed even closer,” and “All his renewed confidence moved aside in one fell swoop.” Readers are likely to find her gothic tweaks, which range from a reference to the “possessed gunshot-ridden duck” that Jack-as-Santa delivers to an unsuspecting household to villain Oogie Boogie’s lecherous assault on rag doll Sally (“He ran his sack hand down the curve of the leg and tossed off its black boot…”), discomfiting—and not in a good way. Ultimately, the tale stumbles to a close with the Undead Ensemble serenading “everyone who treasured the beautiful darkness of Halloween.”
An ill-wrought, not to mention superfluous, tie-in. (Holiday fantasy. 12-14)Pub Date: July 4, 2023
ISBN: 9781368094214
Page Count: 304
Publisher: Disney Press
Review Posted Online: July 13, 2023
Kirkus Reviews Issue: Aug. 1, 2023
Despite the stale fat-to-curvy pattern, compelling world building with a Southern European, pseudo-Christian feel,...
Adventure drags our heroine all over the map of fantasyland while giving her the opportunity to use her smarts.
Elisa—Princess Lucero-Elisa de Riqueza of Orovalle—has been chosen for Service since the day she was born, when a beam of holy light put a Godstone in her navel. She's a devout reader of holy books and is well-versed in the military strategy text Belleza Guerra, but she has been kept in ignorance of world affairs. With no warning, this fat, self-loathing princess is married off to a distant king and is embroiled in political and spiritual intrigue. War is coming, and perhaps only Elisa's Godstone—and knowledge from the Belleza Guerra—can save them. Elisa uses her untried strategic knowledge to always-good effect. With a character so smart that she doesn't have much to learn, body size is stereotypically substituted for character development. Elisa’s "mountainous" body shrivels away when she spends a month on forced march eating rat, and thus she is a better person. Still, it's wonderfully refreshing to see a heroine using her brain to win a war rather than strapping on a sword and charging into battle.
Despite the stale fat-to-curvy pattern, compelling world building with a Southern European, pseudo-Christian feel, reminiscent of Naomi Kritzer's Fires of the Faithful (2002), keeps this entry fresh. (Fantasy. 12-14)Pub Date: Sept. 1, 2011
ISBN: 978-0-06-202648-4
Page Count: 432
Publisher: Greenwillow Books
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
A trilogy opener both rich and strange, if heavy at the front end.
Riggs spins a gothic tale of strangely gifted children and the monsters that pursue them from a set of eerie, old trick photographs.
The brutal murder of his grandfather and a glimpse of a man with a mouth full of tentacles prompts months of nightmares and psychotherapy for 15-year-old Jacob, followed by a visit to a remote Welsh island where, his grandfather had always claimed, there lived children who could fly, lift boulders and display like weird abilities. The stories turn out to be true—but Jacob discovers that he has unwittingly exposed the sheltered “peculiar spirits” (of which he turns out to be one) and their werefalcon protector to a murderous hollowgast and its shape-changing servant wight. The interspersed photographs—gathered at flea markets and from collectors—nearly all seem to have been created in the late 19th or early 20th centuries and generally feature stone-faced figures, mostly children, in inscrutable costumes and situations. They are seen floating in the air, posing with a disreputable-looking Santa, covered in bees, dressed in rags and kneeling on a bomb, among other surreal images. Though Jacob’s overdeveloped back story gives the tale a slow start, the pictures add an eldritch element from the early going, and along with creepy bad guys, the author tucks in suspenseful chases and splashes of gore as he goes. He also whirls a major storm, flying bullets and a time loop into a wild climax that leaves Jacob poised for the sequel.
A trilogy opener both rich and strange, if heavy at the front end. (Horror/fantasy. 12-14)Pub Date: June 7, 2011
ISBN: 978-1-59474-476-1
Page Count: 234
Publisher: Quirk Books
Review Posted Online: March 30, 2014
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