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ACORNS & ROOTS

A romantic fantasy that’s dark, genuine, and joyous, by turns.

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In this fantasy novel, a young man struggling to find his place in the world meets a Forest Pixie who draws him into a perilous adventure.

Twenty-two-year-old human Amer has just been fired from his bartending job. Worse, he’ll be evicted from his apartment in days because the rent is overdue. This inspires him to run an errand for his friend Nurri, who operates a neighborhood food stand. He agrees to gather rainbow root, for which wealthy people pay handsomely, from the valley, and Nurri agrees to cut him in on the proceeds. Her map leads him through the Forest to perform his task. Meanwhile, wicked King Malo has been doing his best to ruin the Forest since taking the throne six years ago. He’s imprisoned his brother and rightful ruler, Ben, and must now eliminate Fillii, a Forest Pixie who has the potential to stop him. Fillii has been granted the “Protection of the Spell” by the maiden who wished her into being, which keeps the king from killing her; Malo aims to evict her from her tree and strip away her enchantment. The foxes Ren and Truuk tell Fillii to search the valley for “something” that will allow her to defeat Malo. Instead, Fillii finds Amer, a talkative human whom she refuses to trust. Human reason always results in disenchantment, yet Fillii is surprised to see that the Forest deems Amer worthy and thinks that perhaps he can help. Calleja writes with immense humor and heart, placing her novel in the company of classics such as Peter S. Beagle’s The Last Unicorn (1968). Her characters playfully wink at readers, as when Amer notes that he’s “sitting inside a tree” with elves and a Pixie who’s “apparently going to start a revolution,” and Fillii replies, “The Forest has a weird sense of humour sometimes.” The evil Malo never shies from murdering woodland creatures, as when he coldly destroys a giant Guio bird’s eggs. But Calleja highlights beauty, as well, as in the line, “It was as if diamonds of dew hung suspended in the air all around them.” Fillii’s complicated past with another human, Casz, creates tension with Amer, who’s more like her than either realizes. A warm, cozy finale will leave readers hoping for further tales.

A romantic fantasy that’s dark, genuine, and joyous, by turns.

Pub Date: N/A

ISBN: N/A

Page Count: 224

Publisher: FriesenPress

Review Posted Online: Aug. 10, 2020

Kirkus Reviews Issue: Oct. 1, 2020

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THE BEWITCHING

Suspenseful and terrifying; Moreno-Garcia hits it out of the park yet again.

A graduate student studying an obscure horror author is visited by a haunting of her own.

Minerva Contreras, one of the protagonists of Mexican Canadian author Moreno-Garcia’s latest, has always had a thing for the dark side. As a girl in Mexico, she “preferred to slip into the tales of Shirley Jackson rather than go out dancing with her friends,” and as a grad student in 1998 Massachusetts, she’s writing her thesis on Beatrice Tremblay, an obscure horror author and H.P. Lovecraft contemporary who only published one novel during her lifetime, The Vanishing. Beatrice was an alum of the college where Minerva studies, but Minerva still struggles to find information about her, until one of Beatrice’s acquaintances, Carolyn Yates, agrees to let Minerva examine Beatrice’s personal papers, which contain the author’s account of the disappearance of her college roommate, a quirky Spiritualist named Virginia Somerset. As Minerva tries to figure out what happened to Virginia, things start getting weird—she starts hearing strange noises, and begins to wonder whether a student who went AWOL actually met with a bad end. She also begins to notice parallels between what’s happening and the stories she heard from her great-grandmother Alba, whose family endured horrific experiences at the hands of a witch in Mexico in 1908. The point of view shifts among Minerva, Alba, and Beatrice in their various time periods, a technique which Moreno-Garcia uses effectively; it’s impressive how she keeps the narrative tension running parallel in each one. The writing is beautiful, which is par for the course for Moreno-Garcia, and in Minerva, she has created a deeply original character, steely but yearning. This is yet another triumph from one of North America’s most exciting authors.

Suspenseful and terrifying; Moreno-Garcia hits it out of the park yet again.

Pub Date: July 15, 2025

ISBN: 9780593874325

Page Count: 368

Publisher: Del Rey

Review Posted Online: May 3, 2025

Kirkus Reviews Issue: June 1, 2025

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PIRANESI

Weird and haunting and excellent.

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The much-anticipated second novel from the author of Jonathan Strange and Mr. Norrell (2004).

The narrator of this novel answers to the name “Piranesi” even though he suspects that it's not his name. This name was chosen for him by the Other, the only living person Piranesi has encountered during his extensive explorations of the House. Readers who recognize Piranesi as the name of an Italian artist known for his etchings of Roman ruins and imaginary prisons might recognize this as a cruel joke that the Other enjoys at the expense of the novel’s protagonist. It is that, but the name is also a helpful clue for readers trying to situate themselves in the world Clarke has created. The character known as Piranesi lives within a Classical structure of endless, inescapable halls occasionally inundated by the sea. These halls are inhabited by statues that seem to be allegories—a woman carrying a beehive; a dog-fox teaching two squirrels and two satyrs; two children laughing, one of them carrying a flute—but the meaning of these images is opaque. Piranesi is happy to let the statues simply be. With her second novel, Clarke invokes tropes that have fueled a century of surrealist and fantasy fiction as well as movies, television series, and even video games. At the foundation of this story is an idea at least as old as Chaucer: Our world was once filled with magic, but the magic has drained away. Clarke imagines where all that magic goes when it leaves our world and what it would be like to be trapped in that place. Piranesi is a naif, and there’s much that readers understand before he does. But readers who accompany him as he learns to understand himself will see magic returning to our world.

Weird and haunting and excellent.

Pub Date: Sept. 15, 2020

ISBN: 978-1-63557-563-7

Page Count: 272

Publisher: Bloomsbury

Review Posted Online: June 16, 2020

Kirkus Reviews Issue: July 1, 2020

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