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THE LITTLE QUEEN

A surprising and enchanting parable about personal and artistic growth.

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After her parents die, a young queen ventures forth to learn more about the world and its people in this children’s novella.

The queen’s mother and father have died, leaving her all alone in the world. She goes on a journey to see if anyone wants to change places with her; she meets a succession of women with curious professions, including a “book sniffer,” an “architect of solitude,” and a “foreshadowing artist.” (No men, apart from the queen’s father, appear in the book.) The little monarch is interested by each possibility, but after learning more about the jobs, she realizes that she lacks the training, patience, and dedication for any of them. Nevertheless, her trip is valuable, because she’s “learning the language of her world.” In her travels, the queen and the editor of the Digital Dictionary of Sounds, who’s “famous for her very large ears,” fall in love, but the queen still wants to keep exploring. After some important discoveries and realizations, the queen returns home, marries her beloved editor, and invites the women she’s met to collaborate on making new homes for the needy. These include the Open Home of Books and Leaves, the Dreamy Home of Water and Hammocks, and the Textual Home of Body and Language; all are available “if one seeks them in just the right way.” Geddes (Love Letters to the World, 2016) offers an intriguing world in her novella—a dreamlike setting with elements of myths, fables, and poetry. The story’s opening sentence may sound unattractively twee (“On a little world, upon a little hill, a little tear fell down a little face”), but this impression soon vanishes as the book reveals itself to be something original and poetic, with striking grayscale images by Miller. And there’s no preciousness in figures like the “poop encourager”: “I suppose there is something about my voice that…moves…their bowels,” she explains with pride. Geddes has a generous view of people, art, and nature, and it comes across beautifully in this work.

A surprising and enchanting parable about personal and artistic growth.

Pub Date: Aug. 1, 2017

ISBN: 978-1-945366-66-6

Page Count: -

Publisher: Poetose Press

Review Posted Online: Aug. 1, 2017

Kirkus Reviews Issue: Sept. 15, 2017

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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