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THE LITTLE QUEEN

A surprising and enchanting parable about personal and artistic growth.

Awards & Accolades

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  • Kirkus Reviews'
    Best Books Of 2017

After her parents die, a young queen ventures forth to learn more about the world and its people in this children’s novella.

The queen’s mother and father have died, leaving her all alone in the world. She goes on a journey to see if anyone wants to change places with her; she meets a succession of women with curious professions, including a “book sniffer,” an “architect of solitude,” and a “foreshadowing artist.” (No men, apart from the queen’s father, appear in the book.) The little monarch is interested by each possibility, but after learning more about the jobs, she realizes that she lacks the training, patience, and dedication for any of them. Nevertheless, her trip is valuable, because she’s “learning the language of her world.” In her travels, the queen and the editor of the Digital Dictionary of Sounds, who’s “famous for her very large ears,” fall in love, but the queen still wants to keep exploring. After some important discoveries and realizations, the queen returns home, marries her beloved editor, and invites the women she’s met to collaborate on making new homes for the needy. These include the Open Home of Books and Leaves, the Dreamy Home of Water and Hammocks, and the Textual Home of Body and Language; all are available “if one seeks them in just the right way.” Geddes (Love Letters to the World, 2016) offers an intriguing world in her novella—a dreamlike setting with elements of myths, fables, and poetry. The story’s opening sentence may sound unattractively twee (“On a little world, upon a little hill, a little tear fell down a little face”), but this impression soon vanishes as the book reveals itself to be something original and poetic, with striking grayscale images by Miller. And there’s no preciousness in figures like the “poop encourager”: “I suppose there is something about my voice that…moves…their bowels,” she explains with pride. Geddes has a generous view of people, art, and nature, and it comes across beautifully in this work.

A surprising and enchanting parable about personal and artistic growth.

Pub Date: Aug. 1, 2017

ISBN: 978-1-945366-66-6

Page Count: -

Publisher: Poetose Press

Review Posted Online: Aug. 1, 2017

Kirkus Reviews Issue: Sept. 15, 2017

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CARRIE

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...

Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).

All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."

Pub Date: April 8, 1974

ISBN: 0385086954

Page Count: 216

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: April 1, 1974

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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