A charming memoir that will amuse and inspire parents, teachers, and Shakespeare fans.
A former actress shares her experiences running a Shakespeare acting club at a Los Angeles elementary school as well as reflections on her own life and career.
Canadian-born actress Ryane had walked away from an acting career and was working as an acting coach and living in LA with her husband, William, when she spotted a flyer that asked for “civilian help” to make Arden Street Elementary “the best school possible.” She volunteered to run an after-school Shakespeare acting club at the school, where students were mostly of color and from low-income families, and transformed a rowdy, distracted group of children into an acting troupe ready to perform A Midsummer Night’s Dream. She had them follow “rules” for the club: respect each other, Shakespeare, and the acting process and write in journals (excerpts are included here). Ryane soon realized that her group had issues beyond her own experience (literacy challenges) and reminiscent of her own life (facing the scrutiny of casting); she includes several autobiographical flashback sequences for context. Throughout the rehearsal process, Ryane learned to navigate the balance of leading and learning from the children, who proudly came together to play Titania, Bottom, et al., by year’s end. Ryane brings a wry tone to this highly enjoyable memoir, and parents and teachers will undoubtedly appreciate her stories about working with children who are by turns sweet and wily. She effectively brings her pint-size players to life; Miles, the only boy in the production, is a particularly well-drawn character who goes from just wanting to swing a sword to itching to play Hamlet. It’s inspiring how Ryane helped these kids step up to Shakespeare, and their journal excerpts are often hilarious (“William Shakespeare went to London because I like his plays”). The inclusion of various excerpts from Shakespeare’s works also underscores the evergreen emotional connections to be found in the Bard’s work. Overall, a bravura performance.
A charming memoir that will amuse and inspire parents, teachers, and Shakespeare fans.Pub Date: Aug. 26, 2014
ISBN: 978-1939629234
Page Count: 230
Publisher: Familius
Review Posted Online: Jan. 23, 2015
Kirkus Reviews Issue: March 15, 2015
Review Program: Kirkus Indie
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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