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DANCING WITH STRANGERS

A MEMOIR

A former editor at the New York Times Book Review and the author of a well-received history of African-American humor (On the Real Side, 1994), Watkins here recalls his 1950s coming-of-age as a black youth in Youngstown, Ohio, and a student at mostly white Colgate University in Hamilton, New York. With measured and painstaking attention, Watkins details his thoughts and feelings, and people he knew, in his early life, examining the choices he made and his dawning consciousness of race. Reading the French existentialists in high school, he found himself ``suddenly immersed in ideas that seemed to support my own nagging suspicions about the absurdity of the social arrangement.'' At fraternity-dominated Colgate, far from home and friends, Watkins, though a basketball standout, was clearly an outsider. His story slows as he recounts weekend visits to Harlem and his interactions with coeds, black and white, at frat-house parties, but the details build to successful effect when Watkins, intrigued by James Baldwin's ``subtle, nuanced analysis'' of America's race problem, finds epiphany in that writer's still radical argument that race is a state of mind. His mother's own mixed background having shown the author that in America black blood is widely mingled with white, he determines to abandon the concept of race— to ignore others' assumptions about him as a black man and to renounce his own complicity in reinforcing those assumptions. The book's final page telescopes his later career in literary New York. Rich material, one might anticipate, for a subsequent memoir. Watkins sometimes traverses familiar territory about race, but with insight and telling detail—his description, for example, of the exhilaration of hurtling at high speed toward New York City while listening for the first time to Coltrane's newly released version of ``My Favorite Things'' (1960)—he manages to claim the era, and his identity, as his own.

Pub Date: Feb. 1, 1998

ISBN: 0-684-80864-1

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 1997

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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