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PRAIRIE SILENCE

A MEMOIR

A heartfelt love song to a place and its people as well as an honest and rewarding rendering of the author’s interior...

A rural expatriate examines the pain caused by leaving the place she loved, the struggle involved in aligning her sexuality with faith and hometown values, and the devastation wrought by rural depopulation.

Hoffert grew up in a tiny North Dakota farm town. From a young age the author understood she was gay. After attending college, she established a successful professional career and satisfying personal life in Minneapolis. Though the lure of home persisted, when she returned, she remained mute regarding her sexual preference. “There is something that silences the stories of lives,” she writes, “…and something that pushes those who cannot stand the silence away from the beauty that was once their childhood home.” Hoffert returned home for a month during harvest season, intent on exploring the stark, beautiful landscape, working on the family farm and discovering the root of the ingrained silence surrounding her sexuality. Woven into the author’s personal exploration are startling and sad facts on the state of rural life in America, illustrating the “painfully irreversible population decline” that is leading to the extinction of small towns across the country. Hoffert ponders the meaning of this loss and whether she is a member of “the first generation to realize that the world of rural America—both the good and bad of it—will never again be as it once was.” The author’s mostly quiet narrative includes a wealth of haunting images and ideas that will linger long after the last sentence.

A heartfelt love song to a place and its people as well as an honest and rewarding rendering of the author’s interior landscape.

Pub Date: Jan. 8, 2013

ISBN: 978-0-8070-4473-5

Page Count: 248

Publisher: Beacon Press

Review Posted Online: Sept. 12, 2012

Kirkus Reviews Issue: Oct. 1, 2012

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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  • National Book Award Winner


  • Pulitzer Prize Finalist

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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