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PRAIRIE SILENCE

A MEMOIR

A heartfelt love song to a place and its people as well as an honest and rewarding rendering of the author’s interior...

A rural expatriate examines the pain caused by leaving the place she loved, the struggle involved in aligning her sexuality with faith and hometown values, and the devastation wrought by rural depopulation.

Hoffert grew up in a tiny North Dakota farm town. From a young age the author understood she was gay. After attending college, she established a successful professional career and satisfying personal life in Minneapolis. Though the lure of home persisted, when she returned, she remained mute regarding her sexual preference. “There is something that silences the stories of lives,” she writes, “…and something that pushes those who cannot stand the silence away from the beauty that was once their childhood home.” Hoffert returned home for a month during harvest season, intent on exploring the stark, beautiful landscape, working on the family farm and discovering the root of the ingrained silence surrounding her sexuality. Woven into the author’s personal exploration are startling and sad facts on the state of rural life in America, illustrating the “painfully irreversible population decline” that is leading to the extinction of small towns across the country. Hoffert ponders the meaning of this loss and whether she is a member of “the first generation to realize that the world of rural America—both the good and bad of it—will never again be as it once was.” The author’s mostly quiet narrative includes a wealth of haunting images and ideas that will linger long after the last sentence.

A heartfelt love song to a place and its people as well as an honest and rewarding rendering of the author’s interior landscape.

Pub Date: Jan. 8, 2013

ISBN: 978-0-8070-4473-5

Page Count: 248

Publisher: Beacon Press

Review Posted Online: Sept. 12, 2012

Kirkus Reviews Issue: Oct. 1, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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