Failed by the adults in her life and forced to be the grown-up when she should be experiencing first dates and football...
First-time author Thorne wears her heart on her sleeve in this semiautobiographical tale about a 14-year-old who juggles equal amounts of hope and despair in her chaotic daily life.
Liz and younger sister Jaime have learned they can only count on one another after their mom, Linda, marries a convicted sex offender. Terrance, who parades around the small apartment half-dressed and leers at Liz, makes it clear that if she complains he’ll take it out on her sister. But when Terrance’s parole officer receives a tip that the ex-con is in violation of parole by living with the two girls, their mom’s solution is to farm the girls out to other family members. Jaime moves in with their dad, a lying drunk who mercilessly beat Linda during their marriage, while Liz is farmed out to Terrance’s brother, Gary, and his wife. Liz worries she’s missing too much school and is haunted by the fear that their father will repeat history and drive drunk with Jaime in tow. Liz continues to narrate her journey with prose that vibrates with intelligence and passion. Although she is just beginning her freshman year of high school, Liz manages to carry around with her a heavy burden of responsibility for her sister. Thorne writes Liz as world-weary and mature in ways children should not have to be. From the mother who willingly throws over her children for the promise of marriage to a man who uses her, to the well-meaning Aunt Deborah, who offers Liz a home she cannot accept, Thorne populates her pages with characters who are fascinating and sharply drawn.
Failed by the adults in her life and forced to be the grown-up when she should be experiencing first dates and football games, Liz is a wise, wry, wonderful heroine.Pub Date: April 12, 2012
ISBN: 978-0-525-95268-8
Page Count: 320
Publisher: Dutton
Review Posted Online: Feb. 19, 2012
Kirkus Reviews Issue: March 1, 2012
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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