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WHY?

A STORY FOR KIDS WHO HAVE LOST A PARENT TO SUICIDE

A helpful how-to guide for difficult but necessary conversations.

This groundbreaking picture book provides some possible answers to the question of why someone, especially a parent, might choose death over life.

Losing a loved one is never easy, but when that loved one dies by suicide, most youngsters will have many questions but be provided with few answers. Often, so much stigma and secrecy surround this type of loss that children are further traumatized when adults fail to discuss what happened. Oliver is confused about why his father is no longer living. His mother tries to comfort him, reassuring Oliver that his father loved him and that neither of them are to blame for his death. Oliver’s mother explains that his father was “overwhelmed by a deep dark sadness” and chose to end his life “to get away from the sad, scary, and dark feelings,” language that effectively depicts depression and demystifies the mental health challenges that led to his death. The illustrations contain several luminous double-page spreads that convey the deep sense of loss experienced by those left behind as well as what it might feel like to be “stuck in deep dark sadness.” The contrast between those dark pages and the growing lightness surrounding Oliver and his mother as they process their loss is striking. Oliver is biracial; his father is pictured with light skin and curly brown hair and his mother with darker skin and hair.

A helpful how-to guide for difficult but necessary conversations. (reader’s note, for more information, reference) (Picture book. 6-9)

Pub Date: Nov. 14, 2023

ISBN: 9781433841965

Page Count: 32

Publisher: Magination/American Psychological Association

Review Posted Online: Aug. 26, 2023

Kirkus Reviews Issue: Sept. 15, 2023

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DOG DAYS

From the Carver Chronicles series , Vol. 1

This outing lacks the sophistication of such category standards as Clementine; here’s hoping English amps things up for...

A gentle voice and familiar pitfalls characterize this tale of a boy navigating the risky road to responsibility. 

Gavin is new to his neighborhood and Carver Elementary. He likes his new friend, Richard, and has a typically contentious relationship with his older sister, Danielle. When Gavin’s desire to impress Richard sets off a disastrous chain of events, the boy struggles to evade responsibility for his actions. “After all, it isn’t his fault that Danielle’s snow globe got broken. Sure, he shouldn’t have been in her room—but then, she shouldn’t be keeping candy in her room to tempt him. Anybody would be tempted. Anybody!” opines Gavin once he learns the punishment for his crime. While Gavin has a charming Everyboy quality, and his aversion to Aunt Myrtle’s yapping little dog rings true, little about Gavin distinguishes him from other trouble-prone protagonists. He is, regrettably, forgettable. Coretta Scott King Honor winner English (Francie, 1999) is a teacher whose storytelling usually benefits from her day job. Unfortunately, the pizzazz of classroom chaos is largely absent from this series opener.

This outing lacks the sophistication of such category standards as Clementine; here’s hoping English amps things up for subsequent volumes. (Fiction. 6-9)

Pub Date: Dec. 17, 2013

ISBN: 978-0-547-97044-8

Page Count: 128

Publisher: Clarion Books

Review Posted Online: Oct. 1, 2013

Kirkus Reviews Issue: Oct. 15, 2013

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LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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