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TALKING TO MY ANGELS

A MEMOIR

A must for Etheridge fans, with plenty of lessons for striving musicians.

New Age–tinged memoir by lesbian rock icon Etheridge, recounting the highs and lows of a long career.

To paraphrase French philosopher Pierre Teilhard de Chardin, “I am a spiritual being having a human experience,” writes Etheridge. She’s also a survivor of many a rough patch, from seeking the approval of an emotionally distant mother who considered her queer identity a “psychological illness” to kicking cancer and enduring a couple of very ugly breakups—and, worst of all, the death of a son to a fentanyl overdose. Etheridge’s book of revelations begins on a heady note, her mind on a hard-earned vacation courtesy of a whole bunch of pot-laced cookies. She had an epiphany that “love is within us and all around us” and that maybe she didn’t have to try so hard. Still, for all the past-life-regressing and consultations of astrological charts, the author seems to be a get-it-done, practical-minded Midwesterner with no end to her work ethic. Would-be songwriters stand to learn quite a bit from studying her process as well as the pointers from those who taught her—e.g., a jazz guitarist who instructed, “Doesn’t matter what notes you play. Just never go out of time.” It took a while for Etheridge to hit the big time, but she amassed enough material over years of hard work that she could field an at-home pandemic concert series every night for a month without repeating herself. Another lesson she discusses is the importance of connecting with one’s spiritual being, “assisted, of course, by ingesting a lot of cannabis.” On that note, Etheridge serves up a meaningful, even helpful elaboration of Don Miguel Ruiz’s famed “four agreements,” the last of which should form the heart of anyone’s life practices: “Just do your best, always.”

A must for Etheridge fans, with plenty of lessons for striving musicians.

Pub Date: Sept. 5, 2023

ISBN: 9780063257450

Page Count: 288

Publisher: Harper Wave

Review Posted Online: June 15, 2023

Kirkus Reviews Issue: July 15, 2023

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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  • New York Times Bestseller

A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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ONE HELLUVA RIDE

A substantive, dishy, entertaining glimpse into Hollywood royalty.

The Oscar-winning actor and producer opens up about filmmaking, sex, drugs, and escaping his father’s shadow.

Despite its casual, just-shooting-the-breeze title, Douglas’ memoir is detailed and precision-engineered to entertain; as a filmmaker who won his first Oscar as a producer (for 1975’s One Flew Over the Cuckoo’s Nest), he knows a successful story needs clarity and conflict to work. The son of screen legend Kirk Douglas, he was well-acquainted with celebrity at an early age; witnessing his parents’ divorce, he spent much of his youth acting out. (He paid for college by selling weed by the suitcase-load.) After years of stalls and failures, he broke through on TV with the ’70s cop show The Streets of San Francisco. But small-screen work (along with his nepo-baby status) made breaking into big-screen roles harder until 1984’s Romancing the Stone made him a star and 1987’s Wall Street earned him a second Oscar. Douglas is candid about his industry struggles—like endless budget fights and betraying his father, who was promised the lead in Cuckoo’s Nest—and his reputation as a lothario. (Though married, he had an on-set affair with Kathleen Turner during Stone.) He’s also open about his alcohol and cocaine abuse, leading to a rehab stint, echoed in his son Cameron’s own struggles with addiction and recovery. He’s comfortable discussing controversies—the LGBTQ+ community’s protests of 1992’s Basic Instinct, his proto-MAGA character in 1993’s Falling Down—and plainly keeps an enemies list. But this story arc leaves him triumphant, with a loving wife (Catherine Zeta-Jones), his family, his health (after a cancer scare), and a late-career Emmy for playing Liberace in Behind the Candelabra (2013).

A substantive, dishy, entertaining glimpse into Hollywood royalty.

Pub Date: Oct. 6, 2026

ISBN: 9781538782224

Page Count: 496

Publisher: Grand Central Publishing

Review Posted Online: Oct. 6, 2026

Kirkus Reviews Issue: Nov. 1, 2026

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