One of those intimate, heartbreaking, doubled-edged stories that is hard to read, impossible to put down.
Chilling memoir by a Fox Business Network anchor and child star chronicles the misery of growing up with a cruel, controlling and abusive stage mother.
Francis’ narrative grabs readers immediately. She became a TV actress at age 8, when she captured the role of Cassandra Cooper Ingalls on the prime-time soap opera Little House on the Prairie. She chafed but thrived under her mother’s relentless pressure to succeed: “My mom had a power over me, over all of us, for a long time. I was hostage to her moods, her violence, her praise, her favor, all doled out in random doses and with confusing inconsistency, which had been designed to control me, training me to crave her attention like a starving dog.” By contrast, their mother neglected or harangued Francis’ older sister, who disliked being in the spotlight. By the time Francis left home to study economics at Harvard, her sister’s life was crumbling, and the intense closeness they once shared had evaporated. As the author’s romantic life and TV news career began to gel, her sister remained mired in a lonely, directionless existence. This destructive pattern ultimately resulted in a family tragedy; Francis still feels guilty about not doing more for her sister. But now that she is the mother of two children, she understands that each child is unique and requires his or her own style of nurturance. “The one size fits all, hard line approach to pushing children as hard as you can and demanding the very best doesn’t fit them both,” she writes, “as it didn’t fit both Tiffany and me.”
One of those intimate, heartbreaking, doubled-edged stories that is hard to read, impossible to put down.Pub Date: Nov. 13, 2012
ISBN: 978-1-60286-172-5
Page Count: 288
Publisher: Weinstein Books
Review Posted Online: Sept. 5, 2012
Kirkus Reviews Issue: Oct. 1, 2012
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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