One of those intimate, heartbreaking, doubled-edged stories that is hard to read, impossible to put down.

DIARY OF A STAGE MOTHER'S DAUGHTER

A MEMOIR

Chilling memoir by a Fox Business Network anchor and child star chronicles the misery of growing up with a cruel, controlling and abusive stage mother.

Francis’ narrative grabs readers immediately. She became a TV actress at age 8, when she captured the role of Cassandra Cooper Ingalls on the prime-time soap opera Little House on the Prairie. She chafed but thrived under her mother’s relentless pressure to succeed: “My mom had a power over me, over all of us, for a long time. I was hostage to her moods, her violence, her praise, her favor, all doled out in random doses and with confusing inconsistency, which had been designed to control me, training me to crave her attention like a starving dog.” By contrast, their mother neglected or harangued Francis’ older sister, who disliked being in the spotlight. By the time Francis left home to study economics at Harvard, her sister’s life was crumbling, and the intense closeness they once shared had evaporated. As the author’s romantic life and TV news career began to gel, her sister remained mired in a lonely, directionless existence. This destructive pattern ultimately resulted in a family tragedy; Francis still feels guilty about not doing more for her sister. But now that she is the mother of two children, she understands that each child is unique and requires his or her own style of nurturance. “The one size fits all, hard line approach to pushing children as hard as you can and demanding the very best doesn’t fit them both,” she writes, “as it didn’t fit both Tiffany and me.”

One of those intimate, heartbreaking, doubled-edged stories that is hard to read, impossible to put down.

Pub Date: Nov. 13, 2012

ISBN: 978-1-60286-172-5

Page Count: 288

Publisher: Weinstein Books

Review Posted Online: Sept. 6, 2012

Kirkus Reviews Issue: Oct. 1, 2012

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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