The quirkiness feels forced, the sex dreary. Pritchard fans will be disappointed.
A middle-aged romance writer’s affair with a younger man feeds her fiction in Pritchard’s third novel (Selene of the Spirits, 1998, etc.), which aspires to comment on the genre.
Single mother Prudence True Parker teaches Advanced Personal Journey at an Arizona community college, not a gig that’s exactly making her rich. In the public toilet of her local library, she has a chance encounter with cross-dressing Digby Deeds, better known under the name “Mildred Crawley” as a wildly successful romance author. Whimsically insisting their meeting was “divinely ordained,” the dying Digby/Mildred asks Prudence to complete his Savage Passion series. All she has to do is flesh out the plots he bequeaths her, and her financial worries will end. Then, while volunteering (for reasons too strained to recount) at an Indian charity event in Oklahoma, Prudence meets Ray Chasing Hawk, a handsome if slightly androgynous Comanche with whom she shares a night of passion. Returning home to Tempe, she resumes teaching and raising her increasingly independent 17-year-old daughter Fiona. But soon Ray comes calling, and before long he’s moved in. Quite a handy coincidence, since Mildred Crawley planned her next book as a white woman/Indian chief romance. Pritchard contrasts that fantasy passion with Prudence’s less-than-perfect affair with Ray, who is angry, narcissistic, secretive about his friendships with other women, and perfectly willing to live off her money. Readers may be as bewildered as Fiona by her mother’s enthrallment, though she herself (seen as a kind of Prudence-lite) has not chosen much better. Prudence gains new respect for Ray after he undergoes the demanding rites of the Sun Dance Ceremony, and Pritchard’s depiction of the Native American culture, refreshingly politically incorrect at first, now becomes sentimentally reverential. When he discovers that Prudence has been using him as a model for her fiction, Ray feels used, but tensions are all too easily resolved.
The quirkiness feels forced, the sex dreary. Pritchard fans will be disappointed.Pub Date: March 16, 2004
ISBN: 0-385-50304-0
Page Count: 320
Publisher: Doubleday
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Jan. 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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