by Melissa Pritchard ‧ RELEASE DATE: March 16, 2004
The quirkiness feels forced, the sex dreary. Pritchard fans will be disappointed.
A middle-aged romance writer’s affair with a younger man feeds her fiction in Pritchard’s third novel (Selene of the Spirits, 1998, etc.), which aspires to comment on the genre.
Single mother Prudence True Parker teaches Advanced Personal Journey at an Arizona community college, not a gig that’s exactly making her rich. In the public toilet of her local library, she has a chance encounter with cross-dressing Digby Deeds, better known under the name “Mildred Crawley” as a wildly successful romance author. Whimsically insisting their meeting was “divinely ordained,” the dying Digby/Mildred asks Prudence to complete his Savage Passion series. All she has to do is flesh out the plots he bequeaths her, and her financial worries will end. Then, while volunteering (for reasons too strained to recount) at an Indian charity event in Oklahoma, Prudence meets Ray Chasing Hawk, a handsome if slightly androgynous Comanche with whom she shares a night of passion. Returning home to Tempe, she resumes teaching and raising her increasingly independent 17-year-old daughter Fiona. But soon Ray comes calling, and before long he’s moved in. Quite a handy coincidence, since Mildred Crawley planned her next book as a white woman/Indian chief romance. Pritchard contrasts that fantasy passion with Prudence’s less-than-perfect affair with Ray, who is angry, narcissistic, secretive about his friendships with other women, and perfectly willing to live off her money. Readers may be as bewildered as Fiona by her mother’s enthrallment, though she herself (seen as a kind of Prudence-lite) has not chosen much better. Prudence gains new respect for Ray after he undergoes the demanding rites of the Sun Dance Ceremony, and Pritchard’s depiction of the Native American culture, refreshingly politically incorrect at first, now becomes sentimentally reverential. When he discovers that Prudence has been using him as a model for her fiction, Ray feels used, but tensions are all too easily resolved.
The quirkiness feels forced, the sex dreary. Pritchard fans will be disappointed.Pub Date: March 16, 2004
ISBN: 0-385-50304-0
Page Count: 320
Publisher: Doubleday
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Jan. 15, 2004
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BOOK REVIEW
by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
by Kristin Hannah ‧ RELEASE DATE: March 1, 2006
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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