In a winsome tale laced with doggy humor, an abandoned canine tags along with a pack of other four-legged fellows searching for new homes, before finding a companion to call her own. Left by the roadside with only her “skanky” sock puppet for company, plucky Tupelo follows her nose to a motley posse of lost BONEHEADS (Benevolent Order of Nature’s Exalted Hounds Earnest And Doggedly Sublime) engaged in the ancient ritual of making wishes on Sirius, the Dog Star. Those wishes soon come true, thanks to the efforts of aptly named hobo Garbage Pail Tex, but in the general scurry of adoptions Tupelo is left alone again. Sweet depicts Tupelo’s odyssey with a mix of sequential panels, full-page scenes and occasional foldouts, all sandwiched between star-strewn endpapers and a timeline laid out in dog years. In the end Tupelo hops aboard a passing train, and Tex himself sits down beside her—so off the two go, “like Sirius and Orion,” to travel the world together “with a little stench.” Fans of the popular stray-animal genre will bid her godspeed. (Picture book. 6-8)
Pub Date: April 7, 2008
ISBN: 978-0-618-71714-9
Page Count: 40
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2008
Rylant (Henry and Mudge and the Sneaky Crackers, 1998, etc.) slips into a sentimental mode for this latest outing of the boy and his dog, as she sends Mudge and Henry and his parents off on a camping trip. Each character is attended to, each personality sketched in a few brief words: Henry's mother is the camping veteran with outdoor savvy; Henry's father doesn't know a tent stake from a marshmallow fork, but he's got a guitar for campfire entertainment; and the principals are their usual ready-for-fun selves. There are sappy moments, e.g., after an evening of star- gazing, Rylant sends the family off to bed with: ``Everyone slept safe and sound and there were no bears, no scares. Just the clean smell of trees . . . and wonderful green dreams.'' With its nice tempo, the story is as toasty as its campfire and swaddled in Stevenson's trusty artwork. (Fiction. 6-8)
Pub Date: April 1, 1998
ISBN: 0-689-81175-6
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1998
With wordplay reminiscent of Margie Palatini at her best, Helakoski takes four timorous chickens into, then out of, the literal and figurative woods. Fleeing the henhouse after catching sight of a wolf, the pusillanimous pullets come to a deep ditch: “ ‘What if we can’t jump that far?’ ‘What if we fall in the ditch?’ ‘What if we get sucked into the mud?’ The chickens tutted, putted, and flutted. They butted into themselves and each other, until one by one . . . ” they do fall in. But then they pick themselves up and struggle out. Ensuing encounters with cows and a lake furnish similar responses and outcomes; ultimately they tumble into the wolf’s very cave, where they “picked, pecked, and pocked. They ruffled, puffled, and shuffled. They shrieked, squeaked, and freaked, until . . . ” their nemesis scampers away in panic. Fluttering about in pop-eyed terror, the portly, partly clothed hens make comical figures in Cole’s sunny cartoons (as does the flummoxed wolf)—but the genuine triumph in their final strut—“ ‘I am a big, brave chicken,’ said one chicken. ‘Ohh . . . ’ said the others. ‘Me too.’ ‘Me three.’ ‘Me four’ ”—brings this tribute to chicken power to a rousing close. (Picture book. 6-8)
Pub Date: Feb. 1, 2006
ISBN: 0-525-47575-3
Page Count: 32
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2005
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